THE

ANNEX

updated

aeqai archives

April | 2012

From Left to Right: Maria Seda-Reeder; Karen Chambers; Jane Durrell; Vivian Klein; Daniel Brown; Paul Bernheimer; Ober-Rae Starr Livingstone; Maria Seda-Reeder; Phyllis Weston; Sarah Vance; Catherine and Emil Robinson; Meghan McNamara; David Kirley; Philip Long; Barbara Selnick; Benedict Leca; Margot Gotoff; Jack Sullivan; Jymi Bolden; Harry Gotoff; Connie Sullivan; Dustin Pike; Emily Casagrande; Karen Chambers; Marta Hewett; Mary Heider; Philip Long; and Marlene Steele. (Photographs by Cynthia Hoskin)
April 14th, 2012 | By AEQAI Staff

Happy Birthday to AEQAI – Now Open for Advertising

On March 21, a crowd of loyal AEQAI staff and friends gathered at The Carnegie Visual and Performing Arts Center, and thanks to the generosity of Katie Brass, Carnegie Director, celebrated its third year of publication. Marking this achievement, AEQAI is launching an advertising campaign, and Hyde Park’s Miller Gallery, with its prominent local and national reputation for both traditional and contemporary art...

Aurora Childs
April 14th, 2012 | By Aaron Michael Skolnick

New Baroque, a New BLOG

New Baroque is a blog featuring young artists from Kentucky, Los Angeles, and New York. It came about when I noticed that a group of artists working in the New Baroque style were not getting the attention that I thought they deserved. The art of the Baroque was stylistically complex with a tendency to exaggerate emotions with grandiose gestures, and the artists that I feature on the blog are using these elements to produce...

André Aciman, Alibis: Essays on Elsewhere, Farrar, Straus and Giroux, New York, 2011.
April 14th, 2012 | By Daniel Brown

Alibis By André Aciman

André Aciman was born into an upper middle class-to-rich Jewish family in Alexandria, Egypt. He has described the nearly Chekovian life that his extended family lived in the waning days of a tolerant and multicultural Egypt. As anti-Semitism rose in Egypt, a manipulative political movement meant to target “outsiders” and “foreigners”, various members of the extended Aciman family departed Alexandria with little but the clothes...

Mark Daly, Tyler Davidson Fountain, Fountain Square (Looking East on 5th), Cincinnati
April 14th, 2012 | By Jane Durrell

Mark Daly at Cincinnati Art Galleries

Mark Daly’s engaging paintings line every wall at Cincinnati Art Galleries, treating of pleasurable aspects of life at the seaside, in New York City, on Nantucket, and points as far away as Venice. The show’s subtitle, “The Musician’s Paintbrush,” refers to Daly’s playing a mean mandolin, sometimes on Fountain Square, but overlooks his ongoing business career. At one time with Procter & Gamble, he now has his own firm...

Type A, Team Building (Align), 2010, Indianapolis Museum of Art
April 14th, 2012 | By Laura Partridge

A 21st Century Sculpture Park

Spring is a time to enjoy the outdoors, and for this, one of the heartland’s leading cultural institutions, the Indianapolis Museum of Art (IMA), is a destination. Even if you never enter the museum itself, it’s worth the trip. In 2010, the IMA opened their 100 Acres: Virginia B. Fairbanks Art & Nature Park. 100 Acres is characterized by the water that runs through and around it—a human-made canal and lake, and the White...

God as the Geometer, Bible Moralisée, c. 1220–1230
April 14th, 2012 | By Dustin Pike

Geometrically Ordered Design: The Loneliest One

“You cannot conceive the many without the one.” -Plato Since this is my first article pertaining to the design field, it may aide the reader to know how to distinguish art from design. Design in essence cannot be accomplished without specific degrees of control, and almost always has a definitive point to make. How well the ‘point’ can be made is attributed to how well the design was carried out.

Cynthia Amnéus, Cincinnati Art Museum
April 14th, 2012 | By Cynthia Osborne Hoskin

The Domain of Cynthia Amnéus, a Collection of Human Adornment

To access the Costume and Textile Department at the Cincinnati Art Museum, you walk in one door of the elevator and later, out the opposite side. With Cynthia Amnéus, The Cincinnati Art Museum’s Associate Curator of Costume and Textiles since 1998, in the lead, I emerge to look down a shadowy hallway filled with white mannequins visible through their plastic drapery and from there into a large bright room...

Mark Landis, Faux Real: A Forger's Story
April 14th, 2012 | By Amanda Dalla Villa Adams

Faux Real Exhibition Review

Admittedly, authenticity is a word I know well. As a specialist at a local auction house, I am often asked to verify a work of art. Usually, I consult a variety of resources and other experts who help to conclusively argue for or against the veracity of an object. The most difficult items often get sent away to a consultant or academic for final verification...

Qiu Weili, Choice, 2012
April 14th, 2012 | By Fran Watson

THREADS: Changing Landscapes Contemporary Chinese Fiber Art

Ah, the creative mind! It changes our vision, our perceptions, our world, using the vastness of the unnoticed, mundane material of our daily lives. Like thread, a single one of which is so ordinary, so small, so inconsequential, that it is seldom acknowledged in any but a practical way: sewing a button on, mending a rip, making a stitch.