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Time, the Press, and the Smell of Fresh Ink

Tiger Lily Press: A Story of Continuity, Craft, and Community in Cincinnati

August 15th, 2026 | By Jorge Rodríguez

The smell of fresh ink on a print just lifted from the press has a remarkable ability to turn devotees into addicts. So do the uneasy intervals built into the process, which forge a very particular bond with the craft. This lies at the origin of nearly every printmaking and screen-printing workshop. Another trait they tend to share is an unusual capacity for endurance...

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Tiger Lily Press and the Physical World

August 13th, 2026 | By Jorge Rodriguez

Since Wednesday, August 12, Annex Gallery has been presenting Tiger Lily: Collective Impressions. Tiger Lily Press is a cooperative printmaking workshop founded in Cincinnati in 1979, conceived as an open space for practice, teaching, and the preservation of artistic printing techniques. Over several decades, it has brought together printmakers from different generations, providing access to presses, tools, workshops, and shared technical knowledge, while establishing itself as one of the...

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Can a New Iconography Recompose a Shared Identity?

July 30th, 2026 | By Jorge Rodriguez

Given its scale and significance, I will present my analysis of this project in several installments. These are the ten design proposals shortlisted for the next series of euro banknotes. At this moment, they are under the gaze of millions. Citizens of the euro area have been invited to choose their favorites in a survey that will remain open until September 21...

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International Artists Exchanges, a la mode “Sister Cities”

September 15th, 2011 | By Jan Brown Checco

It’s satisfying to identify the first seeds of what we become, and to what we commit.  The mentor who sowed my life into a fertile ground of art and travel is clear:  Uncle Bob gave me my first art history book in 1962 upon return from one of his many international adventures.  A Renaissance man, he drew and painted, sang, wrote, and acted in theatre at Ohio State University, where he also professed a seminal marketing history...

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Pointedly Perfect

September 15th, 2011 | By Fran Watson

“The Art of Charlie and Edie Harper in Needlepoint Exhibit” is exactly that. Charming and humorous, exquisitely designed and perfectly executed, each of these renditions of the famous Harper pieces in the clockwork precision of needlepoint seems just what the two artists would have anticipated as a future for their works. The late Harpers’ prints and reproductions may be the most recognizable hometown art in Cincinnati, but good design is ageless...

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Sara Corley: Film Interview

September 15th, 2011 | By Shawn Daniell

Emerging Artists Exposed is a film series dedicated to emerging artists from the Cincinnati and Northern Kentucky region, offering an intimate look at the experiences, ideas, and personal histories that shape their work. In this installment, the featured artist reflects on her path from business studies to the visual arts and on a deeply social practice centered on the human body, medical histories, vulnerability, and the conversations through which personal experience is transformed into visual form.

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Can a New Iconography Recompose a Shared Identity?

July 25th, 2026 | By Jorge Rodriguez

Designing the banknotes destined to circulate throughout a monetary area such as Europe is among the most prestigious and consequential commissions a professional or design studio can receive. Creating an image to be shared by millions of people, condensing an identity into visual form, and meeting complex demands of legibility, security, symbolism, and instant recognition constitute a task at which even a demigod like Hercules might have failed...

art review

That Big, That Long

July 19th, 2026 | By Jorge Rodriguez

Ai Weiwei's art leaves me with certain reservations. The public figure strikes me as overly polished, burnished almost to excess.
Some years ago he dropped an authentic Han dynasty urn onto the floor. Made sometime between 206 BC and AD 220, its first and only purpose was to shatter. He had bought it in Beijing in the early 1990s, during China's rapid urban expansion...

art review

A Stateless Man's Dream

July 17th, 2026 | By Ahmel Echevarría

Call Me Ahmel
January arrived, and so did 2025. Halfway through the month it will pierce my head and my body in much the same way 2024 did—with hypersonic calm. Be careful. In Miami everything happens too fast, a good friend warned me, sounding more alarmed than concerned. Another good friend, one we have in common, calls him my fascist friend. Cuba, the way tango does to the men—and to the women—in Borges's magnificent story The Man on Pink Corner, has its own way with him.

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The Machine Takes the Medical Exam
August 18th, 2026 | By Jorge Rodriguez

The U.S. Food and Drug Administration issued a discussion paper on August 18, 2026 proposing how to regulate medical devices powered by generative AI. It outlines a two-axis framework for risk assessment, a premarket evaluation built on a concept it calls competency assessment, and risk-proportionate postmarket monitoring. The novelty is the reference point. A generative device would face non-clinical benchmarking and clinical confirmation before reaching patients, a sequence modeled on how physicians are trained and evaluated. The agency invites device makers, clinicians, and the public to respond under docket FDA-2026-N-7874 by October 19, 2026.

The medical exam has become an object of regulation. For years a machine read scans and passed suggestions to a doctor who signed the report. Now the agency proposes grading the software itself as if it were a resident sitting for boards. A competency assessment treats the device as a professional subject, with benchmarks standing in for years of training, and that substitution carries a specific risk. Benchmarks measure what the test covers, a fixed set of tasks, a curated distribution of cases, and little about the patient who does not resemble the training set or the decision made in a hallway at three in the morning. The machine can pass and still fail where a physician's judgment would have hesitated. The docket must decide where that gap is measured, and what happens when the certificate holder is software that no one examined in a body.

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The Sponsored Question
August 17th, 2026 | By Jorge Rodriguez

OpenAI has awarded grants to 14 organizations that will study how public policy should respond to advanced artificial intelligence. The company will distribute $1 million in cash and up to $1 million in API credits across six-month projects in the United States, European Union, Brazil, Singapore and South Korea. The selected work covers worker benefits, taxation, productive ownership, data-center energy, clinical infrastructure, government simulations, legislative oversight, biosecurity and uncontrolled self-improving systems. OpenAI chose the recipients from over 400 proposals, and results are expected in 2027. The organizations are described as independent, while their money and computing access come from a company whose products and expansion some of them may evaluate.

Funding research also selects which questions receive staff, meetings, datasets, prototypes and a place on policy calendars. OpenAI says democratic institutions should shape the response to AI, yet this program gives the company an earlier role in deciding which approaches enter that debate with resources attached. The roster includes the Tax Foundation, the American Enterprise Institute, a Brazilian public hospital and groups working on nuclear and biological risk. Sponsorship does not invalidate their work. It creates a relationship that every final report must make legible. Readers will need the cash award, API credits, model access, contractual limits and any review rights OpenAI retained before publication. Those disclosures should appear beside the findings rather than remain inside the grant agreement.

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The Profile Without a Person
August 16th, 2026 | By Jorge Rodriguez

Spotify will begin marking artist profiles that represent AI-generated identities with an AI Persona badge in mid-September. The label will appear on profile banners and About sections, in search results and beside tracks in playlists. Artists can disclose their synthetic identity through Spotify for Artists, but the company will also review names and profile images and apply the badge itself. A labeled artist can appeal that decision. The badge concerns the public identity presented by the profile. Spotify's separate AI Credits field covers how generative tools were used to make the music. By default, AI Persona profiles will be excluded from editorial and algorithmic recommendations. Their tracks can reach a listener who follows the profile or deliberately searches for it.

The policy creates a class of performer whose recordings can remain available while ordinary circulation is restricted because the face and biography do not belong to a person. That distinction responds to projects such as The Velvet Sundown, an AI band presented as human that accumulated millions of streams. It also gives Spotify authority to decide whether a photorealistic portrait, name and public history amount to an authentic artist. A label may protect listeners from impersonation, yet the decisive action occurs inside the recommendation system. The profile stays searchable while disappearing from Discover Weekly, editorial playlists and other automated routes unless a listener has already chosen to follow it.

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