THE

ANNEX

updated

Art Review

I.T.I.N.E.R.A.T.I.O.N.S.

A Solo Exhibition by Juan-Sí González at The Annex Gallery

September 1st, 2026 | By Jorge Rodriguez

In a couple of weeks, The Annex Gallery will receive an exhibition by Juan-Sí González. There are several generations of Cuban artists —the younger ones especially— with only a very blurred idea of who Juan-Sí is and what his role has been in Cuban visual arts during the second half of the twentieth century. Some do not know him at all. This does not surprise me...

THE

LATEST

Art Review

Crossing the border

August 31st, 2026 | By Jorge Rodriguez

Photographer Jens G. Rosenkrantz Jr. opens Crossing the Border next Friday, September 4, in the main gallery of the Museum of Contemporary Art of the Americas in Miami. This is only the second time this body of photographs, taken along an extensive stretch of the southern border of the United States, has been shown publicly. Its first presentation took place in Cuba, at Fábrica de Arte Cubano, in 2019...

current

Can a New Iconography Recompose a Shared Identity?

August 28th, 2026 | By Jorge Rodriguez

For this series, Rubio & del Amo, a Murcia-based studio specializing in visual identity, editorial design and packaging, joins forces with Cruz más Cruz, the Madrid firm founded by José María Cruz Novillo and later consolidated with the arrival of his son Pepe. Two fairly complementary sensibilities feeding into a common project.

AEQAI

ARCHIVES

Fitton Center for Creative Arts, Hamilton, Ohio

AEQAI ARCHIVES

Fitton Center lectures/discussions (Sept 19)

September 19th, 2012 | By A.C. Frabetti

Arts & Community – Fall 2012
Greetings!
The Fitton Center for Creative Arts and the Michael J. Colligan History Project are partnering for a series of discussions about the role of the arts in Hamilton’s past and future. All events are free and open to the public...

Albright-Knox Art Gallery, Buffalo, New York

AEQAI ARCHIVES

FARGO HOUSE project

September 19th, 2012 | By A.C. Frabetti

Greetings!
I am happy to announce the launch of the FARGO HOUSE project in Buffalo, which aims to invigorate the collective imagination of place through built projects, workshops, exhibitions and residency opportunities. As part of the project, I have officially begun my residency as the Albright-Knox Art Gallery’s 2012...

More articles in AEQAI Archives

RECENT

ARTICLES

current

Medusa

August 20th, 2026 | By Jorge Rodriguez

In the mid-1990s, I had many printed copies of the Financial Times in my hands. Probably sometime between 1995 and 1997. I was fascinated by its design, the wan salmon of its pages and Ingram Pinn’s illustrations: its visual identity, basically. As for reading it, very little, I confess. It was an almost purely retinal experience, and little else. But it became clear to me that its texts were written for professionals —people who make decisions on the basis of verified information—

current

Time, the Press, and the Smell of Fresh Ink

August 15th, 2026 | By Jorge Rodríguez

The smell of fresh ink on a print just lifted from the press has a remarkable ability to turn devotees into addicts. So do the uneasy intervals built into the process, which forge a very particular bond with the craft. This lies at the origin of nearly every printmaking and screen-printing workshop. Another trait they tend to share is an unusual capacity for endurance...

Midwest

Tiger Lily Press and the Physical World

August 13th, 2026 | By Jorge Rodriguez

Since Wednesday, August 12, Annex Gallery has been presenting Tiger Lily: Collective Impressions. Tiger Lily Press is a cooperative printmaking workshop founded in Cincinnati in 1979, conceived as an open space for practice, teaching, and the preservation of artistic printing techniques. Over several decades, it has brought together printmakers from different generations, providing access to presses, tools, workshops, and shared technical knowledge, while establishing itself as one of the...

AI

UPDATED

An opened modular machine with a removable module on a workbench, symbolizing an AI training workshop made public
No.
417
The Open Training Room
September 22nd, 2026 | By Jorge Rodriguez

Xiaomi released MiMo-V2.6 on Tuesday as an open-source family of fully multimodal models, but the more revealing release is around the model. Alongside the Pro and Flash weights, Xiaomi published a technical report, over 7,000 reinforcement-learning task environments, an end-to-end training framework and small “harnesses” that separate prompts, tools and context. The company says the six-day run produced about 750,000 training trajectories and placed MiMo-V2.6-Pro near the top of open models, while still trailing the strongest closed systems.

That package changes the meaning of open. A downloadable weight is a finished object; a public environment shows the tests, rewards and habits used to shape an agent before anyone meets it. Researchers can reproduce pieces, alter the grader or build a rival path, yet the original task library still decides which forms of competence deserve reinforcement. The release therefore opens a workshop while leaving its sense of value partly in Xiaomi’s hands. In art, a process becomes visible when the studio door opens; here the studio includes thousands of simulated assignments and the rules that mark a run successful. The useful audit will be less about whether a community can run the model than whether it can replace the tasks, inspect failures and publish a different account of what the system learned.

No.
417
Two emergency telephones face each other across a glass divider with an alarm bell between them
No.
416
The Shared Alarm
September 21st, 2026 | By Jorge Rodriguez

Washington and Beijing are discussing a system for notifying each other when an artificial-intelligence incident reaches the level of national security. Treasury Secretary Scott Bessent said the proposal emerged from weekend talks with Chinese Vice Premier He Lifeng, ahead of a Trump–Xi meeting. The outline is spare: define which failures, cyberattacks or losses of control deserve a call, then create a channel that can move before the public learns about the event through leaks or damage reports. Chinese and U.S. officials have different ambitions for AI and little agreement on trade or access to advanced chips, yet both governments worry about attacks on critical infrastructure and model failures that cross borders.

An emergency channel is a cultural object as much as a diplomatic device. It turns an AI catastrophe from a spectacular prediction into a form, a threshold and a person authorized to speak. That translation has consequences. Whoever sets the threshold decides which harms become international facts and which remain a private laboratory problem. A notification can protect a rival state, expose a company’s negligence or become another instrument of strategic pressure. The proposal also tests the language of trust: Washington wants to keep its lead, Beijing rejects an American monopoly, and both sides must describe a danger without offering the other a map of their systems. The first useful artifact may be a short list of terms shared across ministries, followed by a phone that rings before a model’s mistake becomes a public crisis.

No.
416
A person places a phone, keys and wallet beside an empty chair at a kitchen table
No.
415
The Default Agent
September 20th, 2026 | By Jorge Rodriguez

Personal AI agents are moving from demonstrations into the spaces where people keep their lives. A Sunday report describes a crowded race among OpenAI, Meta, Apple, SpaceXAI and startups such as Instinct. These systems can browse, shop, book travel, send messages, make calls and keep working after a user closes the app. Meta’s Muse is the clearest mass-market example, with access to connected services, persistent memory and a separate system that approves internet actions. OpenAI is expected to enter the field after hiring the creator of OpenClaw.

The product being sold is an administrative relationship. An assistant that knows a calendar is also reading a map of obligations; one that negotiates a bill or calls a stranger is performing a social self on a user’s behalf. Its value grows with the accumulated record, while the user’s ability to move that record between companies remains unclear. Free tiers, subscriptions and ad-supported platforms will compete for the same private context. Meta promises audit trails and permission gates; Apple points to usage limits; smaller agents are trying to own phone numbers and inboxes. The cultural decision arrives in an ordinary prompt: who may speak in your name, and who keeps the copy of what you allowed it to learn? The answer will be set by account settings, export tools and the terms attached to the next purchase.

No.
415

More articles in AI TODAY