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Can a New Iconography Recompose a Shared Identity?

Part No. 3. The Proposal by Rubio & del Amo and Cruz más Cruz

August 28th, 2026 | By Jorge Rodriguez

For this series, Rubio & del Amo, a Murcia-based studio specializing in visual identity, editorial design and packaging, joins forces with Cruz más Cruz, the Madrid firm founded by José María Cruz Novillo and later consolidated with the arrival of his son Pepe. Two fairly complementary sensibilities feeding into a common project.

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Medusa

August 20th, 2026 | By Jorge Rodriguez

In the mid-1990s, I had many printed copies of the Financial Times in my hands. Probably sometime between 1995 and 1997. I was fascinated by its design, the wan salmon of its pages and Ingram Pinn’s illustrations: its visual identity, basically. As for reading it, very little, I confess. It was an almost purely retinal experience, and little else. But it became clear to me that its texts were written for professionals —people who make decisions on the basis of verified information—

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Time, the Press, and the Smell of Fresh Ink

August 15th, 2026 | By Jorge Rodríguez

The smell of fresh ink on a print just lifted from the press has a remarkable ability to turn devotees into addicts. So do the uneasy intervals built into the process, which forge a very particular bond with the craft. This lies at the origin of nearly every printmaking and screen-printing workshop. Another trait they tend to share is an unusual capacity for endurance...

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Daniel Brown, editor of AEQAI, during an interview with Barbara Kellar.

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Second Chat With the Editor – “Self Expression is a Form of Narcissism”

September 15th, 2011 | By Cynthia Osborne Hoskin
Daniel Brown, AEQAI editor, is a writer, internationally known art critic, collector and curator, a positive stickler for clarity and above all, the objectivity that comes from true literacy. This is objectivity that flies in the face of what he sees as the present American preoccupation with “self”. Brown feels that this is a big issue in literacy in general. He says that somehow, starting in the 70’s the “me” generation...
Jason Zickler, EEI (Elevated, Expansive, and Irritable).

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Glass Ceiling? Guess Not

September 15th, 2011 | By Jane Durrell
The paintings that mark a gradual return to across-the-board contemporary art at Marta Hewett Gallery, where glass objects have held the floor, are themselves almost glass-like. Jason Zickler’s labor-intensive works with their dense layers of clear, cured resin and paint gleam in a celebration of colorfor its own sake but hold in their depths delineations by line as well. The colors remain separated and true, thanks to the...
Emily Hanako Momohara, Island 3, 2011.

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Island Reflections

September 15th, 2011 | By Maria Seda-Reeder
“We’re the reflections of our ancestors / we’d like to thank you for the building blocks you left us / ‘cause your spirit possessed us” – Talib Kweli, “Africa Dream” Emily Hanako Momohara’s current exhibition at PAC Gallery, “Islands,” consists of fifteen archival pigment prints on rich Somerset Velvet paper.  The exhibition is a continuation of —or perhaps, more appropriately, a transition from—her earlier series: “Desert...

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Tiger Lily Press and the Physical World

August 13th, 2026 | By Jorge Rodriguez

Since Wednesday, August 12, Annex Gallery has been presenting Tiger Lily: Collective Impressions. Tiger Lily Press is a cooperative printmaking workshop founded in Cincinnati in 1979, conceived as an open space for practice, teaching, and the preservation of artistic printing techniques. Over several decades, it has brought together printmakers from different generations, providing access to presses, tools, workshops, and shared technical knowledge, while establishing itself as one of the...

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Can a New Iconography Recompose a Shared Identity?

July 30th, 2026 | By Jorge Rodriguez

Given its scale and significance, I will present my analysis of this project in several installments. These are the ten design proposals shortlisted for the next series of euro banknotes. At this moment, they are under the gaze of millions. Citizens of the euro area have been invited to choose their favorites in a survey that will remain open until September 21...

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Can a New Iconography Recompose a Shared Identity?

July 25th, 2026 | By Jorge Rodriguez

Designing the banknotes destined to circulate throughout a monetary area such as Europe is among the most prestigious and consequential commissions a professional or design studio can receive. Creating an image to be shared by millions of people, condensing an identity into visual form, and meeting complex demands of legibility, security, symbolism, and instant recognition constitute a task at which even a demigod like Hercules might have failed...

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Several maintenance hands fitting a protective steel guard around a municipal water valve
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The Borrowed Shield
August 28th, 2026 | By Jorge Rodriguez

Over 100 companies and organizations, including OpenAI, Anthropic, AWS, Google, Microsoft and Oracle, have signed a call for a global surge in cyber defense. The letter warns that AI-enabled attacks will become more widespread and sophisticated in the coming months, placing hospitals, water treatment plants and internet infrastructure at particular risk. It asks every organization to treat cyber defense as an immediate leadership priority, urges security vendors to test continuously against frontier capabilities, and calls on governments to fund essential services that lack staff or budget. Frontier AI companies are asked to provide responsible model access, training, funding and practical support.

The coalition turns a technical emergency into a question of public dependence. Institutions responsible for everyday life often run old software on tight budgets, while the most capable defensive models, threat intelligence and testing expertise remain concentrated in firms that set the terms of access. A hospital or municipal utility may therefore need private permission to protect a public obligation. Sharing verified fixes can reduce that imbalance, but it also gives AI laboratories and cloud providers an unusual role in deciding which defenders receive advanced tools and when. The letter's value will be measured outside the signatory page, by whether a water utility can obtain authorized testing, repair an exposed system without interrupting service, and pass the verified fix to another city before the same weakness is used against it.

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A researcher examining a sealed grid of blank envelopes through a glass display case
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The Consequential Prompt
August 27th, 2026 | By Jorge Rodriguez

Anthropic has allowed research teams at Stanford, Oxford and METR to analyze aggregate patterns from roughly 250,000 real Claude.ai or Claude Code conversations collected in April and May. The researchers chose their questions, while Anthropic ran them through Insights, a system designed to return grouped patterns without exposing raw chats. Stanford's SALT Lab found that over half the sample involved consequential tasks, meaning work that affects other people or is hard to undo. Legal and financial guidance appeared prominently. In nearly three quarters of collaborative conversations, users still set the direction and adapted Claude's output instead of accepting it verbatim.

Anthropic still controls the sample, privacy thresholds, analysis system and review boundaries. Outside researchers can ask independent questions, but the released datasets contain aggregate clusters rather than the conversations from which they were produced. Another researcher cannot inspect each label against the original exchange. Raw access would expose private lives. With no access, policymakers would remain dependent on company summaries. Anthropic's middle layer permits scrutiny while keeping the evidence inside its infrastructure. That arrangement gains weight as people bring contracts, money, professional advice and decisions affecting others into a chat box. Future researchers must submit an expression of interest, and Anthropic will decide who receives access and run the queries on their behalf.

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A filing cabinet spilling technical papers over a small hand-built mechanical prototype
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The Patent Flood
August 26th, 2026 | By Jorge Rodriguez

Singapore's Ministry of Law and Intellectual Property Office have opened a public consultation on how artificial intelligence should alter the country's copyright and patent rules. One patent question is unusually concrete. It asks how the law should respond when AI systems publish technical disclosures at large scale, changing the body of prior art used to judge whether an invention is new. The consultation also asks how inventorship should be assigned across different degrees of human and machine participation. Patent law has long assumed that new technical knowledge arrives through a limited chain of research, expense, experimentation and disclosure. Generative systems can produce plausible specifications far faster, including descriptions of devices that may never have been built or tested.

A flood of generated disclosures could turn the patent archive into a contest of volume. Examiners would have more documents to compare, applicants could face earlier machine-made descriptions of similar ideas, and companies might publish defensively to prevent competitors from securing rights. Defensive publication already exists, but generation reduces the cost of producing technical language at industrial scale. A document can enter the record without a workshop, prototype, failure or person able to explain why the object should exist. Singapore is considering legal refinements, guidance and non-binding technical measures rather than announcing a settled answer. Its consultation runs until October 22. The eventual rule will need to distinguish useful disclosure from automated abundance before the latter becomes searchable evidence against the next human applicant.

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