In a couple of weeks, The Annex Gallery will receive an exhibition by Juan-Sí González. There are several generations of Cuban artists —the younger ones especially— with only a very blurred idea of who Juan-Sí is and what his role has been in Cuban visual arts during the second half of the twentieth century. Some do not know him at all. This does not surprise me...


Cincinnati Museum Center offers a camera obscura, hand-colored portraits and historic photograph cases inspired by J. P. Ball.

The artist and curator discuss their Cuba-to-Ohio journeys and the making of I.T.I.N.E.R.A.T.I.O.N.S at The Annex Gallery.

Photographs by Gordon Baer and Jano Rečo examine aging and institutional care across Cincinnati and former Czechoslovakia.

Kent Krugh layers multiple exposures of trees into photographs that compress seasonal change and duration into single images.

Pyramid Hill brings local artists, food trucks and family art activities to its two-day outdoor fair in Hamilton.

Seven artists use photography, altered perspectives and mixed materials to imagine unfamiliar relationships with the natural world.

CAM presents more than 150 photographs and archival materials in the first career retrospective devoted to Nancy Rexroth.

Noel Maghathe brings woven photographs and family archives to the Art Academy of Cincinnati for FotoFocus 2026.



Photographer Jens G. Rosenkrantz Jr. opens Crossing the Border next Friday, September 4, in the main gallery of the Museum of Contemporary Art of the Americas in Miami. This is only the second time this body of photographs, taken along an extensive stretch of the southern border of the United States, has been shown publicly. Its first presentation took place in Cuba, at Fábrica de Arte Cubano, in 2019...

For this series, Rubio & del Amo, a Murcia-based studio specializing in visual identity, editorial design and packaging, joins forces with Cruz más Cruz, the Madrid firm founded by José María Cruz Novillo and later consolidated with the arrival of his son Pepe. Two fairly complementary sensibilities feeding into a common project.



Texan Ben Fountain has written the best novel of 2012 to date. Billy Lynn’s Long Halftime Walk is an anti war book for our times; its M.A.S.H – like black humor mitigates the underlying horror of the Iraq war. Fountain proposes that ten soldiers, currently fighting in Iraq, be brought to America for a whirlwind “Victory Tour”, most of which takes place at a Thanksgiving Day Dallas Cowboys football game.

Drawing, the tool of observation and investigation employed by artists even in this technological time of electronic gadgetry, is as diversified as the number of individuals wrestling with its control. It is a fascinating opportunity to observe how another navigates their drawing process.

CCAC is thrilled to announce the third year of our Golden Ticket Artists Exhibition! New this year is an expanded radius and electronic submissions: Juried art show, presented by the Clifton Cultural Arts Center. Showcasing the diverse, talented artists living or working within a 25-mile radius of CCAC. Welcome neighborhood and regional artists alike. Submit your work digitally this year!



In the mid-1990s, I had many printed copies of the Financial Times in my hands. Probably sometime between 1995 and 1997. I was fascinated by its design, the wan salmon of its pages and Ingram Pinn’s illustrations: its visual identity, basically. As for reading it, very little, I confess. It was an almost purely retinal experience, and little else. But it became clear to me that its texts were written for professionals —people who make decisions on the basis of verified information—

The smell of fresh ink on a print just lifted from the press has a remarkable ability to turn devotees into addicts. So do the uneasy intervals built into the process, which forge a very particular bond with the craft. This lies at the origin of nearly every printmaking and screen-printing workshop. Another trait they tend to share is an unusual capacity for endurance...

Since Wednesday, August 12, Annex Gallery has been presenting Tiger Lily: Collective Impressions. Tiger Lily Press is a cooperative printmaking workshop founded in Cincinnati in 1979, conceived as an open space for practice, teaching, and the preservation of artistic printing techniques. Over several decades, it has brought together printmakers from different generations, providing access to presses, tools, workshops, and shared technical knowledge, while establishing itself as one of the...



A research team from Google, Google DeepMind, the University of Maryland and the University of Virginia has introduced Dream-RSI, a framework that uses an AI agent’s previous discovery history to improve how it searches. The agent first explores algorithm design, mathematical optimization or GPU-kernel engineering and records its decisions and results as a tree. A separate policy-development loop then tests thousands of alternative exploration strategies against that stored tree, without rerunning the underlying experiments. The strongest strategy returns online for the next round. In the paper’s tests, Dream-RSI reached competitive or better results while reducing discovery cost, including up to 162 times fewer agent calls than SimpleTES on one algorithm task.
The technical shift happens one layer above the model. Dream-RSI leaves the coding agent unchanged and tries to improve the rules that decide where to branch, what to run in parallel and when to stop. That design turns paid-for history into a laboratory for cheaper decisions, yet it also confines imagination to paths the earlier search actually visited. A policy can avoid recorded dead ends while remaining blind to a route no one has tried. For scientific work, the evaluator and the stopping rule therefore carry as much authority as the model producing each proposal. This is early research, far from proof of unrestricted self-improvement or artificial general intelligence. The project page says full code and reproduction scripts are still being prepared. Dream-RSI turns yesterday’s search into tomorrow’s policy; the next audit is whether it can learn from a mistake the old tree never recorded.

An AP-NORC Center for Public Affairs Research poll released Wednesday found that 53% of U.S. adults are extremely or very concerned about artificial intelligence’s environmental impact, up from 41% last year. Roughly six in ten support limiting the number of new data centers that can be built, and a majority express high concern about electricity prices or water supplies in the communities where those facilities operate. The survey arrives as thousands of centers run and more projects move toward rural areas, where the server hall can be a community’s largest new industrial neighbor.
Public opinion does not measure a facility’s emissions or settle a permitting case. It does change the political setting for expansion. A data center’s benefits are usually described in national terms—capacity, jobs, competitiveness—while its costs appear locally as substations, cooling systems, noise and utility bills. The poll gives residents a shared vocabulary for asking who receives the gains, who carries the risk and what evidence a company must provide before construction. The answers will vary by watershed and power market, yet the direction is clear: acceptance can no longer be assumed from the promise of progress. Developers and officials could publish water and power forecasts, disclose how often workloads can be reduced during grid stress, and let communities revisit commitments when conditions change. The machine may run in the cloud; the decision to host it is made at a town meeting.

Bill Gates said Tuesday that governments are unprepared for the changes artificial intelligence will bring, while the Gates Foundation pledged at least $1 billion over the next two years to widen access. The money will support tools for health workers, teachers and small farmers, training data in local languages, and projects intended for communities that commercial systems routinely overlook. The announcement arrived with the foundation's 2026 Goalkeepers report, which asks whether AI will reduce the distance between rich and poor or add to it.
A private foundation is stepping into a gap that public institutions have left open. Its grants can help a clinic in Rwanda, a classroom in India or a farm in Andhra Pradesh use systems built around local needs rather than English-first assumptions. They also give one philanthropic organization a powerful hand in deciding which languages receive data, which services receive pilots and which failures become acceptable. “Access” can sound generous while leaving ownership, maintenance and appeal outside the user's reach. The program would gain public value by publishing dataset licenses, reporting error rates by language and context, and giving local health ministries, schools and farmer groups authority over procurement and withdrawal. A billion dollars can open doors, but the key should not remain with the donor.
