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Art Review

Crossing the border

A Photographic Exhibition by Jens G. Rosenkrantz Jr.

August 31st, 2026 | By Jorge Rodriguez

Photographer Jens G. Rosenkrantz Jr. opens Crossing the Border next Friday, September 4, in the main gallery of the Museum of Contemporary Art of the Americas in Miami. This is only the second time this body of photographs, taken along an extensive stretch of the southern border of the United States, has been shown publicly. Its first presentation took place in Cuba, at Fábrica de Arte Cubano, in 2019...

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Can a New Iconography Recompose a Shared Identity?

August 28th, 2026 | By Jorge Rodriguez

For this series, Rubio & del Amo, a Murcia-based studio specializing in visual identity, editorial design and packaging, joins forces with Cruz más Cruz, the Madrid firm founded by José María Cruz Novillo and later consolidated with the arrival of his son Pepe. Two fairly complementary sensibilities feeding into a common project.

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Medusa

August 20th, 2026 | By Jorge Rodriguez

In the mid-1990s, I had many printed copies of the Financial Times in my hands. Probably sometime between 1995 and 1997. I was fascinated by its design, the wan salmon of its pages and Ingram Pinn’s illustrations: its visual identity, basically. As for reading it, very little, I confess. It was an almost purely retinal experience, and little else. But it became clear to me that its texts were written for professionals —people who make decisions on the basis of verified information—

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Bessie Wessel, St. Tropez, c. 1930. Digitally enhanced.

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Bessie Wessel, A Historic Model

October 15th, 2011 | By Fran Watson

Once I thought of Bessie Wessel with some pity, a victim of her times,  when women were permitted to study, but not to enjoy a full, satisfying career.  Men, like Bessie’s husband, Herman, would pursue success in the world, while the ladies, God bless ‘em, tended the comforts that would enable the men to fight the good fight.  Then I saw Bessie’s self portrait at Ran Gallery, painted in her mature years.  In it she looks straight ahead with calm, sure, straight-backed complaisance, …and a touch of iron.

Mitchell & Rammelsberg bedroom suite, c. 1880, at the Cincinnati Art Museum.

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Mitchell and Rammelsberg Furniture at the Cincinnati Art Museum

October 15th, 2011 | By Dan Newman

Despite having a PhD in Philosophy and Dr. of Divinity Degree I know very little art history.  As a self taught artist, from an early age, I have had creative abilities in drawing and woodworking.  I draw in pencil or charcoal.  I learned tools and skills from my mother.

Emily Louise Howard in the AEQAI film interview. Authentic YouTube video still adapted to a square thumbnail. Digitally enhanced.

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Emily Louise Howard: Film Interview

October 15th, 2011 | By Shawn Daniell

Emerging Artists Exposed presents Emily Louise Howard discussing her narrative-driven practice across painting, sculpture, and printmaking. In this film interview, Howard describes the “Victorian Appalachian” mythology behind her work, its themes of childhood, family loyalty, good and evil, and the role of reading, writing, and community in sustaining an artist’s life.

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Time, the Press, and the Smell of Fresh Ink

August 15th, 2026 | By Jorge Rodríguez

The smell of fresh ink on a print just lifted from the press has a remarkable ability to turn devotees into addicts. So do the uneasy intervals built into the process, which forge a very particular bond with the craft. This lies at the origin of nearly every printmaking and screen-printing workshop. Another trait they tend to share is an unusual capacity for endurance...

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Tiger Lily Press and the Physical World

August 13th, 2026 | By Jorge Rodriguez

Since Wednesday, August 12, Annex Gallery has been presenting Tiger Lily: Collective Impressions. Tiger Lily Press is a cooperative printmaking workshop founded in Cincinnati in 1979, conceived as an open space for practice, teaching, and the preservation of artistic printing techniques. Over several decades, it has brought together printmakers from different generations, providing access to presses, tools, workshops, and shared technical knowledge, while establishing itself as one of the...

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Can a New Iconography Recompose a Shared Identity?

July 30th, 2026 | By Jorge Rodriguez

Given its scale and significance, I will present my analysis of this project in several installments. These are the ten design proposals shortlisted for the next series of euro banknotes. At this moment, they are under the gaze of millions. Citizens of the euro area have been invited to choose their favorites in a survey that will remain open until September 21...

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Two blank press lecterns facing a human audience and a row of server racks in the same institutional room
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The Second Press Conference
August 31st, 2026 | By Jorge Rodriguez

Princeton economist Markus Brunnermeier told central bankers at Jackson Hole that AI trading agents could understand and exploit monetary policy faster than officials can respond. His paper described a possible Federal Reserve with two press conferences, one offering an anchoring narrative to people and another supplying training data to machines. He also warned that central banks might become deliberately less predictable to stop automated traders from gaming policy signals. The argument appeared at the Kansas City Fed's annual symposium, where financial innovation was the stated subject. Brunnermeier called the imbalance “asymmetric understanding,” a condition in which markets equipped with advanced agents may read the central bank better than the bank reads them.

An interest-rate statement already moves bond and currency prices within moments of publication. An agent can parse each word, compare it with years of data and place trades while reporters are still forming questions. Transparency then reaches the public at unequal speeds. Dividing communication into a human narrative and a machine-readable feed would formalize two audiences for the same public decision. The feed would become market infrastructure, shaped for institutions able to train systems on it, while households encounter the decision later through mortgages, savings and pension values. Any such arrangement would require a public release time, an open data format, equal-access rules and a record of which automated trades were placed before the human conference ended.

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A robotic gripper inserting a cable into a server rack while a technician's hand steadies the connection
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The Hand Behind the Cloud
August 30th, 2026 | By Jorge Rodriguez

Meta is testing robots that can swap network cables, power-cycle servers, reseat components and inspect equipment inside data centers in Iowa and Ohio, WIRED reported. The trials include supervised dual-armed machines and wheeled platforms at the Prometheus campus. One worker estimated that a successful cable robot could absorb up to 80 percent of some technicians' workloads. Current machines remain slower than people, need frequent charging, struggle with loose cables and sometimes require a person to open doors or move them between buildings. One inspection robot cannot distinguish red from green indicator lights. Meta declined to discuss the tests; a spokesperson said the company is investing in training and hiring because skilled workers remain scarce.

Every chatbot request depends on racks that must be connected, inspected and restarted when software cannot recover them remotely. A technician recognizes a damaged connector, incorrect cable tension and the irregularities that turn a routine reset into a longer repair. Automating those gestures may reduce heavy lifting and repetitive rounds while shrinking the entry-level work through which technicians learn the building. If Meta redesigns racks, doors and cabling around robotic access, the data center becomes legible first to its machines and afterward to the people supervising them. For now, the robot that restarts a server may still need a worker to untangle its cable, interpret the warning light and let it through the next door.

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A lone nurse standing between several hospital treatment bays with multiple call lights illuminated
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The Machine Shift
August 29th, 2026 | By Jorge Rodriguez

Registered nurses held coordinated protests in eight US cities on August 27, asking hospitals and elected officials to end contracts with Palantir. Over a hundred nurses blocked traffic outside the company's former Palo Alto headquarters, KQED reported. National Nurses United says HCA Healthcare uses Palantir tools for centralized staffing and scheduling, while Mount Sinai uses the company's software to assess which patients qualify for care at home. Craig Cedotal, a pediatric nurse who previously worked at an HCA hospital, said automated recommendations often fail to match the needs of a shift. HCA did not answer KQED's request for comment.

A staffing system reaches the ward through a timetable. Its calculation determines how many nurses arrive, which experience is available and how quickly a call for help can be answered. When the recommendation is opaque, management can present a budget decision as a neutral output, while nurses absorb the result through more patients and less time at each bedside. The union also tied hospital procurement to Palantir's work for immigration enforcement and the Israeli military, widening the dispute from workplace control to institutional ethics. A hospital buying automated staffing should therefore disclose the data, assumptions, override rules and audit trail behind every roster. The contract should allow a charge nurse to reject a machine-built plan before the first patient is left waiting.

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