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Can a New Iconography Recompose a Shared Identity?

Euro Banknotes Prepare for a Historic Redesign

July 25th, 2026 | By Jorge Rodriguez

Designing the banknotes destined to circulate throughout a monetary area such as Europe is among the most prestigious and consequential commissions a professional or design studio can receive. Creating an image to be shared by millions of people, condensing an identity into visual form, and meeting complex demands of legibility, security, symbolism, and instant recognition constitute a task at which even a demigod like Hercules might have failed...

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That Big, That Long

July 19th, 2026 | By Jorge Rodriguez

Ai Weiwei's art leaves me with certain reservations. The public figure strikes me as overly polished, burnished almost to excess.
Some years ago he dropped an authentic Han dynasty urn onto the floor. Made sometime between 206 BC and AD 220, its first and only purpose was to shatter. He had bought it in Beijing in the early 1990s, during China's rapid urban expansion...

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A Stateless Man's Dream

July 17th, 2026 | By Ahmel Echevarría

Call Me Ahmel
January arrived, and so did 2025. Halfway through the month it will pierce my head and my body in much the same way 2024 did—with hypersonic calm. Be careful. In Miami everything happens too fast, a good friend warned me, sounding more alarmed than concerned. Another good friend, one we have in common, calls him my fascist friend. Cuba, the way tango does to the men—and to the women—in Borges's magnificent story The Man on Pink Corner, has its own way with him.

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Interview with Aaron Betsky on Schmidlapp Gallery Re-Installation

July 25th, 2011 | By Jane Durrell

Tucked in the multi-page announcement of the Cincinnati Art Museum’s 2011-12 exhibition schedule is a portent of change beyond the new season. Re-installation of the Schmidlapp Gallery will be “the first step in the vision for a re-designed Cincinnati Art Museum.”
To find out what’s going on, in the Schmidlapp gallery now and the rest of the Museum later, we went directly to...

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Fun Between the Covers

July 25th, 2011 | By Fran Watson

Books. From the tiniest , “Musical Boxes” by Mark Palkovic measuring a mere 1” X 1 1/2”, to the largest, also qualifying as the most outrageous,”Zulu: A Book Doll” by Pamela Howard, Bookwords 12 at the Main Library through August 29, 2011, is a plethora of invention and imagination. Pop-up book artists are now known as “paper engineers”...

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The Sorcerer’s Apprentice

July 25th, 2011 | By Alan D. Pocaro

Clement Greenberg once said that “the superior artist is one who knows how to be influenced” and the current survey of paintings by the late Harry Reisiger reveals just such an artist. Born in 1922, Reisiger studied at both the Art Academy and the University of Cincinnati, eventually becoming a successful commercial designer for Kenner Products. Inspired by his love of music and landscape...

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Thresholds. Liudmila Velasco’s Long Road Home

June 9th, 2026 | By Jorge Rodriguez

Although I am an avowed admirer of her solo work and have known her for nearly twenty-five years, I do not remember ever having spoken in person with Liudmila Velasco. About her work, about the weather, about how unbearable this or that artist can become. When I left the island, Liudmila was already practically an institution within Cuban women’s photography...

Midwest

Before the Flood: Tim Harrier’s Spirit Guides

June 8th, 2026 | By Jorge Rodriguez

When we first came across Tim Harrier’s Shaman Spirit Guides, we dismissed them without mercy as the product of artificial intelligence. The mud-covered faces, the animals emerging from the background, and an unbroken frontal force produced, almost at once, a malignant suspicion. Suspicion ran far ahead of the work. And we are right to suspect almost everything in life. This series, no...

art review

Gee Horton and the Construction of a Mythology of African American Mourning

June 7th, 2026 | By Jorge Rodriguez

There is a book. Before the exhibition, before the charcoal drawings spread across the galleries of the Contemporary Arts Center, before the viewer crosses the blue thresholds into the dreamworld of Freeman Little...

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The Abandoned Model
July 28th, 2026 | By Jorge Rodriguez

Amazon is winding down most of its flagship Nova AI models as it redirects resources toward a new frontier-model effort, Reuters reported on July 28th. The company has begun deprecating high-end Premier and Omni models along with its Reel video model and Canvas image model, while a new system led by researcher Pieter Abbeel is expected later this year. Amazon says it is evolving the lineup around customer needs. The discarded models leave a different record, one of expensive products losing their future before customers have finished learning their names.

Software companies have trained the public to treat updates as progress, with each replacement arriving as a cleaner version of the same promise. Model strategy makes the process visible as inventory management. A system receives a name, a launch, a place in a product family, and a period in which customers build workflows around its behavior. Then the company changes direction and asks those customers to carry the transition. The cost includes retraining, altered outputs, broken assumptions, and the quiet disappearance of a tool that once sounded strategic. Amazon's Nova portfolio becomes a shelf of provisional personalities. The frontier model can inherit the brand, but it also inherits the evidence that an AI product may be obsolete while its users are still adapting to it.

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The Human Book
July 27th, 2026 | By Jorge Rodriguez

Publishers are beginning to treat books written by people as a premium product while generative AI makes cheap prose easier to produce, the Financial Times reported on July 27th. The paper describes a market in which some publishers see AI as a tool for authors and others imagine it replacing them. The distinction reaches the shelf. A reader buying a human-written book is paying for a named mind, a sustained voice, and the record of decisions that cannot be reduced to a prompt and a polished output.

The premium book turns authorship into a feature that can be advertised. For centuries, publishing has sold the work through a person's name, even when the labor behind that name included editors, translators, designers, printers, and booksellers. Generative systems disturb that chain by making fluent pages abundant and making their origin harder to see. A publisher can use software to accelerate research or revision, yet the reader still wants to know who carried the argument, chose the sentence, and remained answerable to the finished object. Human writing becomes expensive partly because the market has spent years treating language as an inexhaustible raw material. The price of the book may soon include a claim printed nowhere on its cover, that a person stayed with the manuscript from its first uncertainty to its final line.

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The Privacy Glasses
July 26th, 2026 | By Jorge Rodriguez

Apple has pushed back the launch of its first smart glasses to late 2027 while working on how to make a camera worn on the face compatible with its privacy brand, TechCrunch reported on July 26th. The company is expected to emphasize on-device processing, avoid facial recognition, and promise that customer recordings will not be used to train AI models. The delay also reflects the trouble surrounding Meta's smart glasses, which have been criticized after users employed them for non-consensual recordings and other invasive behavior. Apple is not simply preparing a lighter computer. It is preparing an explanation for why anyone nearby should accept one.

The privacy problem begins outside the account. A phone asks its owner before it records, but glasses point toward a street, a table, a queue, or a stranger who may not know that a microphone and camera are active. On-device processing can limit where data travels. It cannot make the surrounding person consent, recognize the recording, or understand what the wearer is doing. Apple can remove facial recognition and keep footage out of model training, yet the public still has to share space with a device designed to see first and explain later. The product will arrive carrying a small promise of discretion. Its real test will be whether the people inside the lens can refuse the scene.

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