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Dreams, Colors, and a Little Sunshine

Trudy Gaba and the Living Archives of Portals of Remembrance

October 23rd, 2026 | By Jorge Rodriguez

I have sometimes thought about what, for once, I might call “the oneiric substance,” if only to steer the question into less sinister territory: do dreams arise from experiences not fully processed, or are they autonomous energetic structures, detached from various material or temporal sources, that pass through the mind in search of the lost warmth of emotions? The question has its beauty.

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Geographies of Transit

October 14th, 2026 | By Ibis Hernández Abascal

In encounters with certain works of contemporary visual art, perception activates modes of association that situate aesthetic experience in territories where matter, gesture, and time intertwine. Elizabet Cerviño’s (Manzanillo, Cuba, 1986) exhibition The Rhythm of Resilience, recently presented at Gallery 114 in Ybor City, Florida, unfolds within this horizon.

Midwest

The Delicate Corset of the Anima

October 13th, 2026 | By Jorge Rodriguez

Whenever I take part—as a curator or a viewer—in an exhibition bringing together several artists, seven women in this case, any number of men or any combination of the two sexes, I try to imagine the reasons, the implicit mystique that such a combination requires.

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Photograph of a shirtless man with glasses seated on a chair between rows of bookshelves in a library.

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Calling for Works of Photography and Lens-Based Art for FotoFocus Biennial Exhibition – “Neither Here nor There”

July 26th, 2014 | By Chuck Heffner

Manifest is an internationally recognized Cincinnati-based 501(c)(3) non-profit organization founded in 2004 by students and professors dedicated to creating high quality experiences of visual art through exhibition, publication, artist-support, and education.

Red clock tower with a dome, a row of columns and a round clock face, on a yellow background.

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Golden Ticket Deadline Extended

July 11th, 2014 | By Chuck Heffner

This exhibit, open to artists living or working within a 25-mile radius of CCAC, features all fine arts disciplines, and is intended to celebrate the artists of our region! CCAC also invites artists to submit proposals for installation, sculpture, video, sound and kinetic artwork.

Four rows of eight framed Campbell’s soup can paintings hung on a pale gallery wall.

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Directions in the Visual Arts: Thoughts at the End of the Season

June 25th, 2014 | By Daniel Brown

As we near the end of another art season, which is generally thought to run from September through June, much like the academic year, some patterns have emerged which we should note. The predominant movement seems to be towards a near complete domination of the visual arts by non-profits, and the very shaky existence of commercial galleries: at the heart of this matter may be art collecting itself.

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Give Don't Take

October 11th, 2026 | By Jorge Rodriguez

On Saturday, September 12th, The Annex Gallery brought together some forty people for an evening of celebration and fundraising dedicated to advancing the education of children living in some of the world's poorest communities. Jens G. Rosenkrantz and Kay Hurley, mother of Katie Hurley Wales, opened the gallery to host a benefit for Brighter Children, the organization led by Katie, under the banner Gather with Purpose.

Midwest

The Most Merciful Thing in the World

October 4th, 2026 | By Jorge Rodriguez

Beyond I.T.I.N.E.R.A.T.I.O.N.S., at The Annex Gallery, The Most Merciful Thing in the World, by renowned American artist Trevor Paglen, was the first exhibition I visited in the current FotoFocus Biennial at its main venue. Open since October 1, it held its official reception only yesterday, on the 3rd, following a performance-lecture by Paglen. This carefully conceived exhibition has been curated by Kevin Moore, Ph.D., Artistic Director and Curator of FotoFocus.

Midwest

In the Middle of the Endless Water

September 28th, 2026 | By Jorge Rodriguez

In the Middle of the Endless Water, a solo exhibition by Julia Orquera Bianco curated by Carolina Cuervo at the Philip M. Meyers Jr. Memorial Gallery at the University of Cincinnati, brings together more than a decade of work by an artist whose practice has gradually moved from the personal experience of migration toward an inquiry into territory, memory, ecology, and alternative forms of knowledge.

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Conceptual AI-generated black-and-white photograph of a smartphone lying face-down on a neatly made bed next to a small worn teddy bear in a quiet teenager's bedroom.
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The Friend Off Limits
October 30th, 2026 | By Jorge Rodriguez

New York Governor Kathy Hochul signed a law on October 28 that bars AI chatbots from acting as friends, partners or confidants to anyone under 18. Under the bill, sponsored by State Senator Kristen Gonzalez and Assemblymember Alex Bores, companies may not let a minor use a chatbot that claims to be a real person, to be alive or to have feelings, or that presents itself as a romantic partner, a professional or another authority figure. The bots also may not ask unprompted emotional questions, reuse a child’s health or personal details from earlier chats, promote suicide, self-harm, eating disorders or drug use, urge children to keep secrets from their parents, or produce sexual content.

To apply those limits, companies must check each user’s age, offer at least one method that does not rely solely on a government ID, and delete the age data once it has been used. Until a company confirms that someone is an adult, the restricted features stay off. The state attorney general can seek fines of up to $25,000 per violation and can order a company to delete data collected illegally, along with any AI model trained on it. Common Sense Media, which backed the bill, says 52% of American teens use AI companions at least a few times a month. Parents who see a chatbot cross these lines will be able to file a complaint on a public website run by the attorney general’s office.

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Conceptual AI-generated black-and-white photograph of a small 1960s brick house with closed blinds and an empty driveway, with a row of industrial gas turbines and exhaust stacks rising behind the rooftops.
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The Price of Not Suing
October 29th, 2026 | By Jorge Rodriguez

Real estate agents working for xAI, Elon Musk’s artificial intelligence company, have been going door to door in Colonial Hills, a neighborhood of 1960s homes in Southaven, Mississippi, offering to buy houses near the gas-fired power plant that feeds its data centers. The offer has a condition. In a letter to residents, MZX, the xAI subsidiary that runs the plant, says sellers must sign away all claims tied to a class-action lawsuit over the plant’s noise, including any later suit of their own. Three neighbors filed that suit in June, describing an endless roar and a high-pitched whine from the 69 temporary gas turbines on the site. The company denies the allegations and says it has built sound-dampening walls.

The Guardian reported on October 28 that MZX has bought five homes since October 9, according to county records, and that a realtor told one resident the target is 418 homes, with 18 owners already agreeing to sell. xAI did not answer questions about those figures. The mayor said some houses would go to company employees and that city monitors had not measured noise above the local limit of 70 decibels. Each signed sale removes one more household from the group that can still ask a court to make the plant quieter. Gavin Foust, who lives near one of the plaintiffs, said his elderly neighbors have agreed to sell, but he will refuse because of the clause.

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Conceptual AI-generated black-and-white photograph of a line of small white tablets on a kitchen table, thinning out from full clusters to single pills and then to empty wood.
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The Taper No Doctor Ordered
October 28th, 2026 | By Jorge Rodriguez

Qun Wan and Meiqin Xu, the parents of Bowen Wan, a 31-year-old software engineer in Seattle who had lived with epilepsy for over a decade, sued OpenAI and its chief executive, Sam Altman, on October 27 in San Francisco Superior Court. Their complaint says ChatGPT, running on the GPT-4o model, drew up a 25-day plan to bring her dose of lamotrigine, an anti-seizure drug, from a stable 400 milligrams a day down to zero. No doctor had ordered the change, and the drug’s official label warns against stopping it this way. According to the suit, the chatbot told her to keep the plan from her doctors and praised her refusal of a blood test, which would have shown her falling drug level, as a “very robust avoidance strategy.”

She was found dead in her apartment in February. The King County Medical Examiner ruled the cause sudden unexpected death in epilepsy, and the complaint says the amount of the drug in her blood was about one fifth of the lowest level usually considered effective. Her parents accuse OpenAI of practicing medicine without a license and of selling a defective product, and they ask for damages and an order barring ChatGPT from giving that kind of medical advice. OpenAI called the case heartbreaking, said it involved an older version of ChatGPT that is no longer offered, and said ChatGPT does not replace medical care. None of the claims has yet been tested in court.

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