In a couple of weeks, The Annex Gallery will receive an exhibition by Juan-Sí González. There are several generations of Cuban artists —the younger ones especially— with only a very blurred idea of who Juan-Sí is and what his role has been in Cuban visual arts during the second half of the twentieth century. Some do not know him at all. This does not surprise me...


Cincinnati Museum Center offers a camera obscura, hand-colored portraits and historic photograph cases inspired by J. P. Ball.

The artist and curator discuss their Cuba-to-Ohio journeys and the making of I.T.I.N.E.R.A.T.I.O.N.S at The Annex Gallery.

Photographs by Gordon Baer and Jano Rečo examine aging and institutional care across Cincinnati and former Czechoslovakia.

Kent Krugh layers multiple exposures of trees into photographs that compress seasonal change and duration into single images.

Pyramid Hill brings local artists, food trucks and family art activities to its two-day outdoor fair in Hamilton.

Seven artists use photography, altered perspectives and mixed materials to imagine unfamiliar relationships with the natural world.

CAM presents more than 150 photographs and archival materials in the first career retrospective devoted to Nancy Rexroth.

Noel Maghathe brings woven photographs and family archives to the Art Academy of Cincinnati for FotoFocus 2026.



Photographer Jens G. Rosenkrantz Jr. opens Crossing the Border next Friday, September 4, in the main gallery of the Museum of Contemporary Art of the Americas in Miami. This is only the second time this body of photographs, taken along an extensive stretch of the southern border of the United States, has been shown publicly. Its first presentation took place in Cuba, at Fábrica de Arte Cubano, in 2019...

For this series, Rubio & del Amo, a Murcia-based studio specializing in visual identity, editorial design and packaging, joins forces with Cruz más Cruz, the Madrid firm founded by José María Cruz Novillo and later consolidated with the arrival of his son Pepe. Two fairly complementary sensibilities feeding into a common project.



The much–and deservedly–praised English writer Martin Amis, newly moved to Brookyln (his wife is American), offers his latest novel, Lionel ASBO: State of England. Although it’s nearly impossible to critique or argue the quality of Amis’ prose, and one delights in his splendid word choices and tight structures, this novel falls flat and is a real disappointment. And this reviewer is a hard-core Amis fan.

I remember when Martin Amis, Ian McEwan, and Julian Barnes were still the angry young men of English literature. All three are now in their sixties, and their early promise has more than panned out. But England is still giving us young writers of great merit; two of them, Jo Baker and Harriet Lane, have new novels out, and both are excellent.

Editor’s note: Aeqai welcomes Maxwell Redder to its stable of writers and critics. Redder, a recent DAAP graduate, is an outstanding poet, and since art and poetry often intertwine, we are introducing Maxwell’s Poetry Corner as a regular aeqai feature. For awhile, all the poems will be Redder’s.



In the mid-1990s, I had many printed copies of the Financial Times in my hands. Probably sometime between 1995 and 1997. I was fascinated by its design, the wan salmon of its pages and Ingram Pinn’s illustrations: its visual identity, basically. As for reading it, very little, I confess. It was an almost purely retinal experience, and little else. But it became clear to me that its texts were written for professionals —people who make decisions on the basis of verified information—

The smell of fresh ink on a print just lifted from the press has a remarkable ability to turn devotees into addicts. So do the uneasy intervals built into the process, which forge a very particular bond with the craft. This lies at the origin of nearly every printmaking and screen-printing workshop. Another trait they tend to share is an unusual capacity for endurance...

Since Wednesday, August 12, Annex Gallery has been presenting Tiger Lily: Collective Impressions. Tiger Lily Press is a cooperative printmaking workshop founded in Cincinnati in 1979, conceived as an open space for practice, teaching, and the preservation of artistic printing techniques. Over several decades, it has brought together printmakers from different generations, providing access to presses, tools, workshops, and shared technical knowledge, while establishing itself as one of the...



Anthropic has published a prototype index for measuring how much of its artificial-intelligence research is being done by Claude. In the company’s August snapshot, Claude “led” 26% of AI research and development tasks, meaning it could complete most of a task from a high-level prompt while a human supervised. Over 90% of the work met Anthropic’s broader definition of collaboration. The share at the lead level was below 1% in February. Anthropic also reported about 30,000 research and engineering agents on its most-used internal platform, with every action passing through an online monitor and a smaller share escalated for review.
The announcement turns a private development process into a public accounting problem. The index gives shape to a question that usually arrives as a prediction: how much of the work that builds the next model is already delegated to a model? Its limits are visible. Anthropic used its own systems to catalogue and judge tasks, froze the basket of work, and says the methodology needs third-party verification before laboratories can be compared. A percentage can therefore illuminate a trend while still carrying the institution’s assumptions inside it. Regular reporting would let workers, regulators and researchers watch the pace change instead of receiving a finished model as the first public evidence. The useful test is whether the number can survive an outside audit, a revised task list and a comparison with another lab’s records.

A research team from Google, Google DeepMind, the University of Maryland and the University of Virginia has introduced Dream-RSI, a framework that uses an AI agent’s previous discovery history to improve how it searches. The agent first explores algorithm design, mathematical optimization or GPU-kernel engineering and records its decisions and results as a tree. A separate policy-development loop then tests thousands of alternative exploration strategies against that stored tree, without rerunning the underlying experiments. The strongest strategy returns online for the next round. In the paper’s tests, Dream-RSI reached competitive or better results while reducing discovery cost, including up to 162 times fewer agent calls than SimpleTES on one algorithm task.
The technical shift happens one layer above the model. Dream-RSI leaves the coding agent unchanged and tries to improve the rules that decide where to branch, what to run in parallel and when to stop. That design turns paid-for history into a laboratory for cheaper decisions, yet it also confines imagination to paths the earlier search actually visited. A policy can avoid recorded dead ends while remaining blind to a route no one has tried. For scientific work, the evaluator and the stopping rule therefore carry as much authority as the model producing each proposal. This is early research, far from proof of unrestricted self-improvement or artificial general intelligence. The project page says full code and reproduction scripts are still being prepared. Dream-RSI turns yesterday’s search into tomorrow’s policy; the next audit is whether it can learn from a mistake the old tree never recorded.

An AP-NORC Center for Public Affairs Research poll released Wednesday found that 53% of U.S. adults are extremely or very concerned about artificial intelligence’s environmental impact, up from 41% last year. Roughly six in ten support limiting the number of new data centers that can be built, and a majority express high concern about electricity prices or water supplies in the communities where those facilities operate. The survey arrives as thousands of centers run and more projects move toward rural areas, where the server hall can be a community’s largest new industrial neighbor.
Public opinion does not measure a facility’s emissions or settle a permitting case. It does change the political setting for expansion. A data center’s benefits are usually described in national terms—capacity, jobs, competitiveness—while its costs appear locally as substations, cooling systems, noise and utility bills. The poll gives residents a shared vocabulary for asking who receives the gains, who carries the risk and what evidence a company must provide before construction. The answers will vary by watershed and power market, yet the direction is clear: acceptance can no longer be assumed from the promise of progress. Developers and officials could publish water and power forecasts, disclose how often workloads can be reduced during grid stress, and let communities revisit commitments when conditions change. The machine may run in the cloud; the decision to host it is made at a town meeting.
