Whenever I take part—as a curator or a viewer—in an exhibition bringing together several artists, seven women in this case, any number of men or any combination of the two sexes, I try to imagine the reasons, the implicit mystique that such a combination requires.


CAM presents more than 150 photographs and archival materials in the first career retrospective devoted to Nancy Rexroth.

Noel Maghathe brings woven photographs and family archives to the Art Academy of Cincinnati for FotoFocus 2026.

The Taft Museum opens its first solo museum exhibition devoted to Cincinnati artist Edie McKee Harper.

Free FotoFocus reception, curators’ talk and student awards bring visitors to the Art Academy of Cincinnati on October 16.

Photographer Jesse Ly discusses his practice and visual culture in a free lecture at the University of Cincinnati.

Fitton Center hosts a free photography reception, with Michael Tittel discussing Ohio Valley watersheds during an artist talk.

Artist Marzena Abrahamik discusses her photo exhibition Girl Play at a free October 30 talk in Cincinnati.

Artist Rhys Watkins leads free multisensory exhibition tours and audience discussions at Here and Now in Newport.



On Saturday, September 12th, The Annex Gallery brought together some forty people for an evening of celebration and fundraising dedicated to advancing the education of children living in some of the world's poorest communities. Jens G. Rosenkrantz and Kay Hurley, mother of Katie Hurley Wales, opened the gallery to host a benefit for Brighter Children, the organization led by Katie, under the banner Gather with Purpose.

Beyond I.T.I.N.E.R.A.T.I.O.N.S., at The Annex Gallery, The Most Merciful Thing in the World, by renowned American artist Trevor Paglen, was the first exhibition I visited in the current FotoFocus Biennial at its main venue. Open since October 1, it held its official reception only yesterday, on the 3rd, following a performance-lecture by Paglen. This carefully conceived exhibition has been curated by Kevin Moore, Ph.D., Artistic Director and Curator of FotoFocus.



Art off Pike is Kentucky’s premier urban art fair specializing in affordable artwork and lively creations for you and your friends. This year AOP features over 80 artists, designers, and makers to delight the senses.

Looking for affordable art? Shirley A. Hudson is holding the second Affordable Art Sale.

Restoration experts will be available in the Eisele Gallery on Wednesday October 2nd from 9AM until 7PM to inspect and provide complimentary estimates to clean, restore and preserve your damaged or deteriorated Art and Antiques.



In the Middle of the Endless Water, a solo exhibition by Julia Orquera Bianco curated by Carolina Cuervo at the Philip M. Meyers Jr. Memorial Gallery at the University of Cincinnati, brings together more than a decade of work by an artist whose practice has gradually moved from the personal experience of migration toward an inquiry into territory, memory, ecology, and alternative forms of knowledge.

I suppose that, like me, hundreds and probably thousands of viewers developed a dark sympathy for the character of Hannibal Lecter. The two actors who, to date, have embodied him most memorably are Anthony Hopkins and Mads Mikkelsen. The character displays extraordinary intelligence and self-control. He conducts himself according to his own rules and ethical codes.

In a couple of weeks, The Annex Gallery will receive an exhibition by Juan-Sí González. There are several generations of Cuban artists —the younger ones especially— with only a very blurred idea of who Juan-Sí is and what his role has been in Cuban visual arts during the second half of the twentieth century. Some do not know him at all.



Google DeepMind and Singapore’s GovTech announced an AI scam detector on October 14 that analyzes conversations on the phone itself. Built with Gemma, Google’s lightweight model, it screens incoming messages and examines suspicious exchanges for signs of manipulation. The developers say this local design keeps conversations out of government and Google servers. Access will require the user’s consent. Integration into applications is planned in phases, with no launch date given. A warning would ask someone to pause before sending money or sensitive information.
A person receiving an urgent message from a supposed bank could get a warning while still deciding whether to obey it. That pause offers a useful defense against fraud that depends on haste or trust. Keeping the analysis on the handset also avoids creating a central store of private exchanges for this purpose. Yet an alert can be wrong, and its wording can shape how someone reads a genuine request. The application's terms will determine which conversations the feature can access. Users need a plain explanation of that reach and a practical way to withdraw permission. They should also be able to inspect the reason for a warning without treating it as a verdict on the person writing. Before a rollout, the developers should publish how often the system misses scams and how often it flags ordinary messages. Those results would let citizens judge the protection being offered.

The International Monetary Fund warned on October 13 that disappointing profits or investment in AI could trigger a market correction. At its financial stability briefing in Bangkok, the Fund also pointed to vulnerabilities in pension funds and insurers holding assets that can be difficult to sell. Its stress test found the banking sector broadly resilient, with a weaker group of banks exposed to trouble. The warning describes a possible shock, rather than announcing a crash or predicting its date. It asks what happens if the earnings expected from AI fail to arrive.
A worker can contribute to a retirement fund without choosing the technology companies or private investments it holds. That creates a quiet connection between an ordinary payslip and the industry's promises. If those investments lose value, the effect on a pension depends on the fund's holdings and the protections built into the plan. Selling hard-to-trade assets during a downturn can add pressure. The cultural habit of treating every larger model as proof of future prosperity makes those distinctions easy to overlook. A working tool and a profitable investment are separate claims, each requiring evidence. Fund managers should explain their exposure in terms members can understand, including how much money is committed and how readily it can be withdrawn. The person paying into the plan needs that information before losses make the connection visible.

Britain’s Communications Workers Union wants employees to be able to refuse AI tools at work without being punished for that choice. In proposals circulated on October 9, its tech workers’ branch calls for protection against retaliation and a human review of decisions affecting pay or employment. The inquiry draws on members’ experiences of building and using AI. Participants described rising output demands and pressure on professional judgment. These are workers’ accounts, rather than a representative survey of every workplace. The union also calls for protected time to learn a craft without being forced to rely on AI.
An employer can count how often someone uses an assistant much more easily than it can judge whether the resulting work is good. Once those counts enter an appraisal, an optional tool can become a requirement in practice. A worker who checks an answer carefully may appear slower than a colleague who accepts it immediately. The union’s proposals question that way of measuring performance. Choosing a method also affects how newcomers learn. If software supplies every first attempt, a junior employee may have fewer chances to make mistakes and understand the correction. A negotiated agreement could protect those chances and allow a worker to raise quality concerns without risking promotion. It would also give managers a clear limit on using AI activity records to rank staff.
