The smell of fresh ink on a print just lifted from the press has a remarkable ability to turn devotees into addicts. So do the uneasy intervals built into the process, which forge a very particular bond with the craft. This lies at the origin of nearly every printmaking and screen-printing workshop. Another trait they tend to share is an unusual capacity for endurance...


Nine conserved eighteenth-century fans return to view at the Taft Museum, revealing painted scenes and intricate European craftsmanship.

Wave Pool offers four August ceramics sessions with clay, tools, glazes, kiln access, and beginner-friendly hand-building instruction.

At Studio Kroner, Cedric Michael Cox leads a hands-on art workshop linking creativity, memory, grief, and inner healing.

FotoFocus closes its inaugural Center exhibition with a free reception for photography and lens-based work by over fifty artists.

FotoFocus launches its 2026 Biennial with free passes, maps, catalogues, and representatives from sixty-five participating venues.

Nine artists examine political, religious, and economic belief systems in a yearlong FotoFocus exhibition at 21c Cincinnati.

Zachary Armstrong, Gina Beavers, Raul de Nieves, and Trey Abdella discuss their work before a Weston reception.

Photography, sculpture, installation, and film examine Latin American representation in a FotoFocus exhibition at Kennedy Heights Arts Center.



Since Wednesday, August 12, Annex Gallery has been presenting Tiger Lily: Collective Impressions. Tiger Lily Press is a cooperative printmaking workshop founded in Cincinnati in 1979, conceived as an open space for practice, teaching, and the preservation of artistic printing techniques. Over several decades, it has brought together printmakers from different generations, providing access to presses, tools, workshops, and shared technical knowledge, while establishing itself as one of the...

Given its scale and significance, I will present my analysis of this project in several installments. These are the ten design proposals shortlisted for the next series of euro banknotes. At this moment, they are under the gaze of millions. Citizens of the euro area have been invited to choose their favorites in a survey that will remain open until September 21...



“The Art of Charlie and Edie Harper in Needlepoint Exhibit” is exactly that. Charming and humorous, exquisitely designed and perfectly executed, each of these renditions of the famous Harper pieces in the clockwork precision of needlepoint seems just what the two artists would have anticipated as a future for their works. The late Harpers’ prints and reproductions may be the most recognizable hometown art in Cincinnati, but good design is ageless...

Emerging Artists Exposed is a film series dedicated to emerging artists from the Cincinnati and Northern Kentucky region, offering an intimate look at the experiences, ideas, and personal histories that shape their work. In this installment, the featured artist reflects on her path from business studies to the visual arts and on a deeply social practice centered on the human body, medical histories, vulnerability, and the conversations through which personal experience is transformed into visual form.

Alice Frieder Weston is by no means an obscure figure now nor has she been over the many years she and husband, Harris Weston, encouraged and supported the arts and other causes in Cincinnati. Entering her living room, as she says “good morning”, one is greeted by an expanse of Carl Strauss-designed light and airy space and a broad view of the Ohio River. Everywhere is wonderful...



Designing the banknotes destined to circulate throughout a monetary area such as Europe is among the most prestigious and consequential commissions a professional or design studio can receive. Creating an image to be shared by millions of people, condensing an identity into visual form, and meeting complex demands of legibility, security, symbolism, and instant recognition constitute a task at which even a demigod like Hercules might have failed...

Ai Weiwei's art leaves me with certain reservations. The public figure strikes me as overly polished, burnished almost to excess.
Some years ago he dropped an authentic Han dynasty urn onto the floor. Made sometime between 206 BC and AD 220, its first and only purpose was to shatter. He had bought it in Beijing in the early 1990s, during China's rapid urban expansion...

Call Me Ahmel
January arrived, and so did 2025. Halfway through the month it will pierce my head and my body in much the same way 2024 did—with hypersonic calm. Be careful. In Miami everything happens too fast, a good friend warned me, sounding more alarmed than concerned. Another good friend, one we have in common, calls him my fascist friend. Cuba, the way tango does to the men—and to the women—in Borges's magnificent story The Man on Pink Corner, has its own way with him.



OpenAI has awarded grants to 14 organizations that will study how public policy should respond to advanced artificial intelligence. The company will distribute $1 million in cash and up to $1 million in API credits across six-month projects in the United States, European Union, Brazil, Singapore and South Korea. The selected work covers worker benefits, taxation, productive ownership, data-center energy, clinical infrastructure, government simulations, legislative oversight, biosecurity and uncontrolled self-improving systems. OpenAI chose the recipients from over 400 proposals, and results are expected in 2027. The organizations are described as independent, while their money and computing access come from a company whose products and expansion some of them may evaluate.
Funding research also selects which questions receive staff, meetings, datasets, prototypes and a place on policy calendars. OpenAI says democratic institutions should shape the response to AI, yet this program gives the company an earlier role in deciding which approaches enter that debate with resources attached. The roster includes the Tax Foundation, the American Enterprise Institute, a Brazilian public hospital and groups working on nuclear and biological risk. Sponsorship does not invalidate their work. It creates a relationship that every final report must make legible. Readers will need the cash award, API credits, model access, contractual limits and any review rights OpenAI retained before publication. Those disclosures should appear beside the findings rather than remain inside the grant agreement.

Spotify will begin marking artist profiles that represent AI-generated identities with an AI Persona badge in mid-September. The label will appear on profile banners and About sections, in search results and beside tracks in playlists. Artists can disclose their synthetic identity through Spotify for Artists, but the company will also review names and profile images and apply the badge itself. A labeled artist can appeal that decision. The badge concerns the public identity presented by the profile. Spotify's separate AI Credits field covers how generative tools were used to make the music. By default, AI Persona profiles will be excluded from editorial and algorithmic recommendations. Their tracks can reach a listener who follows the profile or deliberately searches for it.
The policy creates a class of performer whose recordings can remain available while ordinary circulation is restricted because the face and biography do not belong to a person. That distinction responds to projects such as The Velvet Sundown, an AI band presented as human that accumulated millions of streams. It also gives Spotify authority to decide whether a photorealistic portrait, name and public history amount to an authentic artist. A label may protect listeners from impersonation, yet the decisive action occurs inside the recommendation system. The profile stays searchable while disappearing from Discover Weekly, editorial playlists and other automated routes unless a listener has already chosen to follow it.

South Korean lawmaker Lee Hae-min introduced a three-bill package on August 14 that would make companies contribute to a public fund when AI or automation significantly reduces employment or replaces work. Democratic Party lawmaker Lee Ju-hee joined as co-sponsor. The proposed AI Transition Basic Society Act would use the money for retraining, job changes, reemployment and minimum-income support. Regions hit by concentrated disruption could become transition zones. Employers would have to prepare retraining and role-change plans and, when workforce changes pass a set scale, notify workers and consult them in advance. Companies maintaining employment or adding jobs could receive reductions, exemptions or tax support. The levy rate and operational thresholds remain unsettled, and the bills must pass the National Assembly.
The proposal gives automation a payer. Companies often describe job cuts as an inevitable consequence of software, allowing responsibility to drift toward the vendor, the market or the future. This package keeps the account with the employer that reorganizes its workforce and receives the productivity gain. Attribution will remain difficult because demand can fall, departments can merge and managers can invoke AI before a system performs the work. A levy therefore depends on records connecting a deployment to eliminated roles. South Korea's proposal places that argument before workers are dismissed by requiring notice and consultation. If adopted, an automation plan would have to include the cost of the people it removes from the payroll.