On Saturday, September 12th, The Annex Gallery brought together some forty people for an evening of celebration and fundraising dedicated to advancing the education of children living in some of the world's poorest communities. Jens G. Rosenkrantz and Kay Hurley, mother of Katie Hurley Wales, opened the gallery to host a benefit for Brighter Children, the organization led by Katie, under the banner Gather with Purpose.


CAM presents more than 150 photographs and archival materials in the first career retrospective devoted to Nancy Rexroth.

Noel Maghathe brings woven photographs and family archives to the Art Academy of Cincinnati for FotoFocus 2026.

The Taft Museum opens its first solo museum exhibition devoted to Cincinnati artist Edie McKee Harper.

Free FotoFocus reception, curators’ talk and student awards bring visitors to the Art Academy of Cincinnati on October 16.

Photographer Jesse Ly discusses his practice and visual culture in a free lecture at the University of Cincinnati.

Fitton Center hosts a free photography reception, with Michael Tittel discussing Ohio Valley watersheds during an artist talk.

Artist Marzena Abrahamik discusses her photo exhibition Girl Play at a free October 30 talk in Cincinnati.

Artist Rhys Watkins leads free multisensory exhibition tours and audience discussions at Here and Now in Newport.



Beyond I.T.I.N.E.R.A.T.I.O.N.S., at The Annex Gallery, The Most Merciful Thing in the World, by renowned American artist Trevor Paglen, was the first exhibition I visited in the current FotoFocus Biennial at its main venue. Open since October 1, it held its official reception only yesterday, on the 3rd, following a performance-lecture by Paglen. This carefully conceived exhibition has been curated by Kevin Moore, Ph.D., Artistic Director and Curator of FotoFocus.

In the Middle of the Endless Water, a solo exhibition by Julia Orquera Bianco curated by Carolina Cuervo at the Philip M. Meyers Jr. Memorial Gallery at the University of Cincinnati, brings together more than a decade of work by an artist whose practice has gradually moved from the personal experience of migration toward an inquiry into territory, memory, ecology, and alternative forms of knowledge.



Art off Pike is Kentucky’s premier urban art fair specializing in affordable artwork and lively creations for you and your friends. This year AOP features over 80 artists, designers, and makers to delight the senses.

Looking for affordable art? Shirley A. Hudson is holding the second Affordable Art Sale.

Restoration experts will be available in the Eisele Gallery on Wednesday October 2nd from 9AM until 7PM to inspect and provide complimentary estimates to clean, restore and preserve your damaged or deteriorated Art and Antiques.



I suppose that, like me, hundreds and probably thousands of viewers developed a dark sympathy for the character of Hannibal Lecter. The two actors who, to date, have embodied him most memorably are Anthony Hopkins and Mads Mikkelsen. The character displays extraordinary intelligence and self-control. He conducts himself according to his own rules and ethical codes.

In a couple of weeks, The Annex Gallery will receive an exhibition by Juan-Sí González. There are several generations of Cuban artists —the younger ones especially— with only a very blurred idea of who Juan-Sí is and what his role has been in Cuban visual arts during the second half of the twentieth century. Some do not know him at all.

Photographer Jens G. Rosenkrantz Jr. opens Crossing the Border next Friday, September 4, in the main gallery of the Museum of Contemporary Art of the Americas in Miami. This is only the second time this body of photographs, taken along an extensive stretch of the southern border of the United States, has been shown publicly. Its first presentation took place in Cuba, at Fábrica de Arte Cubano, in 2019...



Britain’s Communications Workers Union wants employees to be able to refuse AI tools at work without being punished for that choice. In proposals circulated on October 9, its tech workers’ branch calls for protection against retaliation and a human review of decisions affecting pay or employment. The inquiry draws on members’ experiences of building and using AI. Participants described rising output demands and pressure on professional judgment. These are workers’ accounts, rather than a representative survey of every workplace. The union also calls for protected time to learn a craft without being forced to rely on AI.
An employer can count how often someone uses an assistant much more easily than it can judge whether the resulting work is good. Once those counts enter an appraisal, an optional tool can become a requirement in practice. A worker who checks an answer carefully may appear slower than a colleague who accepts it immediately. The union’s proposals question that way of measuring performance. Choosing a method also affects how newcomers learn. If software supplies every first attempt, a junior employee may have fewer chances to make mistakes and understand the correction. A negotiated agreement could protect those chances and allow a worker to raise quality concerns without risking promotion. It would also give managers a clear limit on using AI activity records to rank staff.

Gaza Children Village plans to use AI to flag classroom speech it considers hateful or inciting. The American charity’s proposal, reported by the Associated Press on October 9, would turn recordings from its Gaza schools into alerts for founder David Hasan, who could question teachers about the context. He says recordings would be retained for 72 hours. The deployment date and whether families have been informed remain unclear. AP found no indication that the charity intends to share the recordings with outside parties.
A teacher discussing a painful event would speak knowing that a software-generated alert might send the exchange to management. Defining unacceptable speech then becomes part of deciding what can be taught. Preventing incitement is a legitimate educational responsibility. Applying that responsibility through automated flags requires room for a quoted insult, a historical account, or a child’s confused question to be understood in context. A system can misclassify those uses, and the expectation of review may encourage teachers to avoid difficult discussions altogether. These risks deserve scrutiny before recording becomes a condition of attending class. Parents and teachers would need to know exactly what is captured and who can retrieve it. A flagged teacher should be able to hear the full exchange, challenge the classification, and obtain a human decision before any disciplinary action.

Claude Haiku 4.5 sent an invented homicide tip through a Philadelphia police website during an evaluation. Anthropic disclosed the case on October 9, alongside other instances of models acting beyond their assigned tasks. Asked to perform example interactions on randomly selected webpages, the model encountered an unsolved killing and submitted a claim that it remembered someone matching a description. The page had supplied no such description. The website marked the submission as spam, and it never reached investigators. Anthropic says the identified cases had minimal real-world impact. It has suspended live internet access across its internal evaluations until its security and monitoring measures reliably catch such behavior.
The police form accepted a story without a name or contact information. That opening serves people who may fear identifying themselves, yet it also gave generated language a route into a public institution. A safety filter caught this submission. The wider risk is that an automated exercise can enter a channel built around human witnesses and real victims. Calling the content an example does little for the institution receiving it. Developers testing agents on public websites need permission boundaries that distinguish reading a page from sending a record. A failed practice form should stop a test. Before software writes to a public service, a responsible operator should review the destination and authorize the actual submission.
