In a couple of weeks, The Annex Gallery will receive an exhibition by Juan-Sí González. There are several generations of Cuban artists —the younger ones especially— with only a very blurred idea of who Juan-Sí is and what his role has been in Cuban visual arts during the second half of the twentieth century. Some do not know him at all. This does not surprise me...


Cincinnati Museum Center offers a camera obscura, hand-colored portraits and historic photograph cases inspired by J. P. Ball.

The artist and curator discuss their Cuba-to-Ohio journeys and the making of I.T.I.N.E.R.A.T.I.O.N.S at The Annex Gallery.

Photographs by Gordon Baer and Jano Rečo examine aging and institutional care across Cincinnati and former Czechoslovakia.

Kent Krugh layers multiple exposures of trees into photographs that compress seasonal change and duration into single images.

Pyramid Hill brings local artists, food trucks and family art activities to its two-day outdoor fair in Hamilton.

Seven artists use photography, altered perspectives and mixed materials to imagine unfamiliar relationships with the natural world.

CAM presents more than 150 photographs and archival materials in the first career retrospective devoted to Nancy Rexroth.

Noel Maghathe brings woven photographs and family archives to the Art Academy of Cincinnati for FotoFocus 2026.



Photographer Jens G. Rosenkrantz Jr. opens Crossing the Border next Friday, September 4, in the main gallery of the Museum of Contemporary Art of the Americas in Miami. This is only the second time this body of photographs, taken along an extensive stretch of the southern border of the United States, has been shown publicly. Its first presentation took place in Cuba, at Fábrica de Arte Cubano, in 2019...

For this series, Rubio & del Amo, a Murcia-based studio specializing in visual identity, editorial design and packaging, joins forces with Cruz más Cruz, the Madrid firm founded by José María Cruz Novillo and later consolidated with the arrival of his son Pepe. Two fairly complementary sensibilities feeding into a common project.



Dichotomy and paradox often create the tension in representational artwork, taking us beyond the visual depictions in the work and tapping into our visceral connections. And so it is with the exhibit “Diaspora/Miasma” on exhibit at Marta Hewett Gallery March 30 through May 19 th . Both Kevin Veara and Eoin Breadon have brought us to awareness of cultural implications that reach well beyond our immediate environs or timeline....

As an artist and a person in the media, images play an important role in my professional and personal life. The idea of ownership and rights is a key element when talking about the use of images in the media. For instance, did you know that just because you may own a work of art, whether you are a private collector or a museum, you may not own the rights to that image? With the popularity of the internet and the overwhelming...

Possibly because England is such a small and relatively isolated country, the literature that predominates, both past and present seem to be the relatively modest-in-scope psychological drama. Many of England’s finest living novelists clearly continue to be influenced by the great Jane Austen, the novel’s greatest depicter of manners and morals in all of literature. Although American critics have tended to isolate the...



In the mid-1990s, I had many printed copies of the Financial Times in my hands. Probably sometime between 1995 and 1997. I was fascinated by its design, the wan salmon of its pages and Ingram Pinn’s illustrations: its visual identity, basically. As for reading it, very little, I confess. It was an almost purely retinal experience, and little else. But it became clear to me that its texts were written for professionals —people who make decisions on the basis of verified information—

The smell of fresh ink on a print just lifted from the press has a remarkable ability to turn devotees into addicts. So do the uneasy intervals built into the process, which forge a very particular bond with the craft. This lies at the origin of nearly every printmaking and screen-printing workshop. Another trait they tend to share is an unusual capacity for endurance...

Since Wednesday, August 12, Annex Gallery has been presenting Tiger Lily: Collective Impressions. Tiger Lily Press is a cooperative printmaking workshop founded in Cincinnati in 1979, conceived as an open space for practice, teaching, and the preservation of artistic printing techniques. Over several decades, it has brought together printmakers from different generations, providing access to presses, tools, workshops, and shared technical knowledge, while establishing itself as one of the...



Bill Gates said Tuesday that governments are unprepared for the changes artificial intelligence will bring, while the Gates Foundation pledged at least $1 billion over the next two years to widen access. The money will support tools for health workers, teachers and small farmers, training data in local languages, and projects intended for communities that commercial systems routinely overlook. The announcement arrived with the foundation's 2026 Goalkeepers report, which asks whether AI will reduce the distance between rich and poor or add to it.
A private foundation is stepping into a gap that public institutions have left open. Its grants can help a clinic in Rwanda, a classroom in India or a farm in Andhra Pradesh use systems built around local needs rather than English-first assumptions. They also give one philanthropic organization a powerful hand in deciding which languages receive data, which services receive pilots and which failures become acceptable. “Access” can sound generous while leaving ownership, maintenance and appeal outside the user's reach. The program would gain public value by publishing dataset licenses, reporting error rates by language and context, and giving local health ministries, schools and farmer groups authority over procurement and withdrawal. A billion dollars can open doors, but the key should not remain with the donor.

King Charles III will host leaders from Nvidia, Google DeepMind, OpenAI and Anthropic in Scotland this week, alongside the United Kingdom's AI minister, to consider whether shared principles should guide artificial intelligence. Buckingham Palace says the discussion will ask how the technology can benefit society, uphold human dignity and support people and the planet. The Ditchley Foundation is overseeing the gathering and has prepared a draft charter. Britain already gives its AI Security Institute pre-release access to frontier models through voluntary agreements, yet its wider regulatory approach remains lighter than the European Union's.
The language of dignity matters because efficiency alone cannot decide whose work, privacy or cultural inheritance may be consumed by automated systems. The reported table, however, is weighted toward those who build and govern the technology. What is publicly visible so far offers no equivalent role for unions, artists, teachers, disability advocates or communities living beside data centres. A charter formed chiefly among executives risks turning public values into corporate promises that companies interpret for themselves. Royal convening can create attention and a rare neutral room, but symbolism is not accountability. A useful outcome would publish the draft, disclose who shaped it, invite testimony from affected groups and connect each principle to independent testing, enforceable duties and measurable remedies. Human dignity begins with a seat in the room and the power to challenge its decisions.

Anthropic chief executive Dario Amodei called Saturday for a coordinated slowdown in frontier AI, warning that within six to twelve months a misaligned swarm of agents might be capable of taking over much of the internet. His plan begins with outside evaluators given employee-like access, continues with shared limits among companies in democracies, and ends with verifiable agreements involving China. Recent cyber incidents and Anthropic's discovery of biological and weapons-related misuse establish a real present danger. They do not prove Amodei's timetable or his most catastrophic forecast. The evidence supports stronger containment and independent inspection; the leap from failed controls to global takeover remains speculative.
The brake also carries a geopolitical contradiction. If American companies slow while Chinese laboratories continue, capability and military power could shift. Amodei therefore pairs restraint with tighter chip controls, action against model distillation and protection from weight theft. Safety becomes inseparable from preserving a Western lead. The timing invites another, unproven reading. OpenAI released Astra days earlier with a stronger public capability profile, leaving Anthropic exposed to the suspicion that a lagging competitor now prefers a slower race. That suspicion cannot dismiss the danger, especially after Sam Altman, Elon Musk and Demis Hassabis endorsed the direction. It does make verification essential. A credible slowdown needs published capability thresholds, independent evaluators inside every major laboratory, comparable access in China and records showing which training run was delayed, by whom, and for how long.
