In encounters with certain works of contemporary visual art, perception activates modes of association that situate aesthetic experience in territories where matter, gesture, and time intertwine. Elizabet Cerviño’s (Manzanillo, Cuba, 1986) exhibition The Rhythm of Resilience, recently presented at Gallery 114 in Ybor City, Florida, unfolds within this horizon.


CAM presents more than 150 photographs and archival materials in the first career retrospective devoted to Nancy Rexroth.

Noel Maghathe brings woven photographs and family archives to the Art Academy of Cincinnati for FotoFocus 2026.

Edie McKee Harper’s photographs, paintings, weavings, and prints go on view October 17 at the Taft Museum.

Exhibiting artists discuss contemporary tintypes and altered historic photographs in a free tour moderated by curator Kip Eagen.

Rosalind Bush demonstrates painting directly from photographs during a free workshop alongside Picture Perfect at Visionaries and Voices.

Artist Marzena Abrahamik discusses her photo exhibition Girl Play at a free October 30 talk in Cincinnati.

Artist Rhys Watkins leads free multisensory exhibition tours and audience discussions at Here and Now in Newport.

Featured artists discuss their work and the theme of unity at a free GALLERY jENSEITS panel in Mt. Adams.



Whenever I take part—as a curator or a viewer—in an exhibition bringing together several artists, seven women in this case, any number of men or any combination of the two sexes, I try to imagine the reasons, the implicit mystique that such a combination requires.

On Saturday, September 12th, The Annex Gallery brought together some forty people for an evening of celebration and fundraising dedicated to advancing the education of children living in some of the world's poorest communities. Jens G. Rosenkrantz and Kay Hurley, mother of Katie Hurley Wales, opened the gallery to host a benefit for Brighter Children, the organization led by Katie, under the banner Gather with Purpose.



Art off Pike is Kentucky’s premier urban art fair specializing in affordable artwork and lively creations for you and your friends. This year AOP features over 80 artists, designers, and makers to delight the senses.

Looking for affordable art? Shirley A. Hudson is holding the second Affordable Art Sale.

Restoration experts will be available in the Eisele Gallery on Wednesday October 2nd from 9AM until 7PM to inspect and provide complimentary estimates to clean, restore and preserve your damaged or deteriorated Art and Antiques.



Beyond I.T.I.N.E.R.A.T.I.O.N.S., at The Annex Gallery, The Most Merciful Thing in the World, by renowned American artist Trevor Paglen, was the first exhibition I visited in the current FotoFocus Biennial at its main venue. Open since October 1, it held its official reception only yesterday, on the 3rd, following a performance-lecture by Paglen. This carefully conceived exhibition has been curated by Kevin Moore, Ph.D., Artistic Director and Curator of FotoFocus.

In the Middle of the Endless Water, a solo exhibition by Julia Orquera Bianco curated by Carolina Cuervo at the Philip M. Meyers Jr. Memorial Gallery at the University of Cincinnati, brings together more than a decade of work by an artist whose practice has gradually moved from the personal experience of migration toward an inquiry into territory, memory, ecology, and alternative forms of knowledge.

I suppose that, like me, hundreds and probably thousands of viewers developed a dark sympathy for the character of Hannibal Lecter. The two actors who, to date, have embodied him most memorably are Anthony Hopkins and Mads Mikkelsen. The character displays extraordinary intelligence and self-control. He conducts himself according to his own rules and ethical codes.



Teen test accounts could download dozens of AI image-manipulation apps despite parental controls, the Tech Transparency Project reported on October 19. Researchers created four accounts registered as 13-year-old boys, comparing default settings with parent-supervised accounts on Apple and Google. The supervised accounts could access 24 apps on Apple and 51 on Google that TTP classified as nudification tools. Its definition includes generating images in underwear or swimwear. Apple disputes that classification for some mainstream editors and says it prohibits nudification apps. Google says it bans them too and suspended apps that violated its policies. These were controlled tests, not records of children using the services.
An age restriction depends on the accuracy of the label attached to each app. TTP says both stores rely on developers’ descriptions to assign those ratings. A parent asked to approve a download can therefore be making a decision with incomplete information about what the software allows. The store has already reviewed the product, placed it in a category and made it available. That chain should be checked against the app’s actual functions, including features added after approval. TTP also found that some apps removed from store listings still worked on its test phones. Taking down a listing closes one route to installation. Families also need clear notice about an installed app whose capabilities have made it unsafe.

Siemens and NVIDIA are testing AI tools that propose production plans at Siemens’ electronics factory in Erlangen, Germany. Presented on October 19, the system generates alternatives when orders arrive and shows planners how each option performs against selected indicators. Proposals are checked in a digital twin, a virtual representation of the plant, before implementation. Siemens says agent-based planning could cut costs by up to 20%. That is a company claim about potential savings, not a guarantee for every factory. The plant, which makes power electronics and automation technology, employs about 1,000 people.
The indicators chosen by management will shape which plan looks best. A cheaper sequence could still leave a maintenance team too little time to inspect equipment or make an operator repeat a difficult task. Those effects need a place in the comparison. Workers who know the machines should be able to point out what the simulation misses and have that objection recorded. A planner who changes a proposed sequence also needs enough time to explain the decision, without pressure to accept the software’s first recommendation. Testing a plan virtually can avoid costly mistakes on the line. Its value will depend on how objections made in the workshop reach the people approving it. Before a proposal becomes the next shift’s instructions, someone must be responsible for checking it and authorized to stop it.

Anthropic has proposed committing 5% of its shares to a new Public Benefit Fund, subject to stockholder approval. Announced on October 18, the fund will be wholly owned by the company. Possible uses include donations to nonprofits and direct distributions to particular groups. Anthropic names disruption to workers as one reason for creating it and says further details about governance will follow. The promise recognizes that a company selling automation may also have a responsibility to people affected by it. It remains a commitment of equity, with no payment schedule or rules identifying who will receive support in the announcement.
A worker whose income falls after an employer adopts AI would need to know whether the fund offers help, how to apply and who reviews a refusal. Those decisions determine whether a large corporate pledge becomes usable assistance. A company can finance valuable work while retaining the power to choose recipients and define acceptable outcomes. Describing its purpose as public benefit leaves that power intact until the governing rules give affected people a role. The fund could earn trust by publishing selection criteria and reporting actual distributions separately from the value of its shares. Workers and their representatives should be able to question those decisions. For someone trying to cover next month's rent, the useful figure will be the amount received and the date it arrives.
