Beyond I.T.I.N.E.R.A.T.I.O.N.S., at The Annex Gallery, The Most Merciful Thing in the World, by renowned American artist Trevor Paglen, was the first exhibition I visited in the current FotoFocus Biennial at its main venue. Open since October 1, it held its official reception only yesterday, on the 3rd, following a performance-lecture by Paglen. This carefully conceived exhibition has been curated by Kevin Moore, Ph.D., Artistic Director and Curator of FotoFocus.


CAM presents more than 150 photographs and archival materials in the first career retrospective devoted to Nancy Rexroth.

Noel Maghathe brings woven photographs and family archives to the Art Academy of Cincinnati for FotoFocus 2026.

Artists and community voices connect memory, dignity and health at a free October 10 conversation in Clifton.

More than 200 members contribute to this all-member show, opening with a public reception at The Barn on October 11.

The Taft Museum opens its first solo museum exhibition devoted to Cincinnati artist Edie McKee Harper.

Free FotoFocus reception, curators’ talk and student awards bring visitors to the Art Academy of Cincinnati on October 16.

Artist Marzena Abrahamik discusses her photo exhibition Girl Play at a free October 30 talk in Cincinnati.

Artist Rhys Watkins leads free multisensory exhibition tours and audience discussions at Here and Now in Newport.



In the Middle of the Endless Water, a solo exhibition by Julia Orquera Bianco curated by Carolina Cuervo at the Philip M. Meyers Jr. Memorial Gallery at the University of Cincinnati, brings together more than a decade of work by an artist whose practice has gradually moved from the personal experience of migration toward an inquiry into territory, memory, ecology, and alternative forms of knowledge.

I suppose that, like me, hundreds and probably thousands of viewers developed a dark sympathy for the character of Hannibal Lecter. The two actors who, to date, have embodied him most memorably are Anthony Hopkins and Mads Mikkelsen. The character displays extraordinary intelligence and self-control. He conducts himself according to his own rules and ethical codes.



Through the generous gift from William (Miami University Class of 1936) and Dorothy Yeck of Dayton, Ohio, Miami University has a unique opportunity to provide students and the community at large to develop a critical understanding of painting in the 21st century. The competition winner will be awarded the $10,000 William and Dorothy Yeck Award and the painting will become part of Miami University’s permanent collection.

BACKGROUND: ArtsWave, the region’s largest funder of the arts, kicks off its annual community campaign on Friday, February 8th on Fountain Square at Noon. 2013 ArtsWave Campaign Chair George Vincent will announce the fundraising goal for the campaign in brief remarks beginning at noon.

Premiere Night for ReelAbilities: Cincinnati will take place at the National Underground Railroad Freedom Center on March 9th. Cincinnati, Ohio – January 28, 2013 – Founded in 2007 in New York, ReelAbilities is the largest national film festival dedicated to sharing the stories, lives and art of people with disabilities.



In a couple of weeks, The Annex Gallery will receive an exhibition by Juan-Sí González. There are several generations of Cuban artists —the younger ones especially— with only a very blurred idea of who Juan-Sí is and what his role has been in Cuban visual arts during the second half of the twentieth century. Some do not know him at all.

Photographer Jens G. Rosenkrantz Jr. opens Crossing the Border next Friday, September 4, in the main gallery of the Museum of Contemporary Art of the Americas in Miami. This is only the second time this body of photographs, taken along an extensive stretch of the southern border of the United States, has been shown publicly. Its first presentation took place in Cuba, at Fábrica de Arte Cubano, in 2019...

For this series, Rubio & del Amo, a Murcia-based studio specializing in visual identity, editorial design and packaging, joins forces with Cruz más Cruz, the Madrid firm founded by José María Cruz Novillo and later consolidated with the arrival of his son Pepe. Two fairly complementary sensibilities feeding into a common project.



A coordinated slowdown by leading AI companies could breach US competition law even when its stated purpose is safety, legal scholars Amelia Miazad, Barak Orbach and Menesh Patel argue in an analysis published on October 5. They distinguish a blanket agreement to hold back innovation from joint work on specific risks, whose legality depends on its terms and effects. Their intervention follows executives’ calls for a slower pace of development. It offers a fresh complication for promises to protect the public. Companies cannot simply decide among themselves that their preferred pace should bind the market. The analysis is an interpretation of existing law, rather than a court ruling on a particular agreement.
Smaller developers would have to operate under any shared standard that customers began demanding. If established firms set the tests and controlled access to evaluation, they could make entry expensive while presenting the barrier as a public service. Conversely, leaving each company to assess its own products would give users little assurance that the tests were comparable. Safety cooperation needs a way for outsiders to challenge a failed evaluation or a rule that favors an incumbent. A subscription buyer cannot inspect a model’s development calendar, and a worker exposed to its use may have no contract with its maker. Public authorities should therefore be able to examine the proposed restrictions before companies make access depend on them.

Pope Leo XIV called on October 2 for the Church to renew its alliance with artists and cultural institutions, arguing that the spread of artificial intelligence makes it urgent to distinguish human art from machine-generated production. Speaking to participants in a meeting organized by the Vatican’s Dicastery for Culture and Education, he described a difference that precedes judgments of beauty, contrasting art with statistical calculation based on images made by others. He also warned about cultural homogenization. His intervention gives artists institutional support in a dispute often framed around speed and cost. It expresses a philosophical position without establishing a ban on artistic uses of AI.
For institutions that commission art, this position raises practical questions about their next contracts. A parish choosing an image for a new chapel can buy a generated illustration or pay an artist to develop a work with the congregation. That choice affects who earns a living and who answers for the finished image. The Pope’s call leaves the practical terms of the renewed alliance unspecified. Artists can use digital tools while still negotiating payment, attribution and control over how their work is reused. If Church patrons follow his appeal, their purchasing decisions will need to give human authors a place in the budget. A commissioned artist should be able to see that commitment in the contract and the agreed fee.

On October 2, Apple said it will add controls to macOS’s Full Disk Access, a permission originally intended to let backup apps work around other privacy protections. The company warned that some apps use it in ways that could expose files, email, messages and browsing history without users fully understanding the reach. For communication apps, Apple said, the risk can extend to the privacy of people on the other end. It promised that granting this level of access will require a “very explicit” action, but gave no timetable or design details. Apple linked the change to increasingly capable and autonomous AI agents.
One account holder’s approval can affect another person. A message sits on two devices, but the recipient chooses which apps may inspect it on their Mac. An AI agent with broad access could draw on private records well beyond a task such as organizing files; Apple’s announcement, however, does not accuse any named product of misusing the permission. The practical test for the new controls will be whether the request explains what an app can reach and lets a person grant only the access needed for a task. Until Apple shows the design, users cannot tell whether the planned action will clarify that boundary or simply add another confirmation to a broad permission.
