THE

ANNEX

updated

aeqai archives

December | 2011

Pablo Picasso, Weeping Woman in Front of Wall, 1937, detail of aquatint and drypoint. Cincinnati Art Museum.
December 16th, 2011 | By Fran Watson

Picasso in Small Bites

Pablo Picasso would not be the only mercurial, misogynistic, egotistic, super- salesman who chose art (or art chose him) as a means of locomotion. The type abounds in this most rarified of all careers in this equally rarified era, most notably epitomized by Duchamp and Man Ray, masters of shock art, but he is the one who shouted the loudest and longest.

Phyllis Weston (1921–2015), legendary Cincinnati art gallerist and consultant.
December 15th, 2011 | By Cynthia Osborne Hoskin

Phyllis Weston, Complex and Amazing Woman

I’d been away in college and graduate school between 1964-1970, returning to Cincinnati married and seeking employment while interviewing for what became my first job here (Coordinator of Cultural Affairs at The University of Cincinnati). Two names kept surfacing as visionary arts leaders; Irma Lazarus and Phyllis Weston. I’d known various Lazari (as we called them jointly) for years, and my mother’s close friend...

Terry Berlier, Perfect Lovers, 2011, square detail of concentric plywood rings installation at the Weston Art Gallery.
December 15th, 2011 | By Maria Seda-Reeder

Cerebral Material

“Material Witness” at the Alice F. and Harris K. Weston Art Gallery is the thinking artist’s art exhibition. Independent curator Matt Distel’s smart grouping of multi-disciplinary artists, whose only ostensible common thread is consistent consideration of media, raises thoughtful questions about locations in space and time without providing any easy answers. Eight artists contribute to “Material Witness”...

Abdullah M. I. Syed, The Flying Rug, installation view detail with suspended currency carpet.
December 15th, 2011 | By Keith Banner

Aladdin Sane: “A Whole New World” at Third Party Gallery

Edward Said’s “Orientalism” as a concept and a way of seeing is one of those Western-World-shattering moments in academics (and beyond) in which European literature, philosophy, politics, culture, and art are re-imagined and re-positioned all at the same time as a vast and beautiful conspiracy of dunces: imperialism in the guise of books and paintings and United Nation speeches. In one fell swoop, Said decoded and reinvented...

Derek Wilkinson, Self-Portrait with Glasses, 2011. Detail of graphite and oil portrait.
December 15th, 2011 | By Cole Carothers

Observed: a review by Cole Carothers

In Manifest Gallery’s current exhibition, Observed, 18 artists explore the act of seeing and working from direct observation in graphite, pastel, oil paint, digital media and video. Their subjects are seen as close as arms’ length to a distance of miles with one artist delving into animate forms drawn from the nebulous space of wavelengths outside the visible spectrum...

Tawara Yūsaku, Untitled, [Ichi, 95], from Sora [Sky] series, 2001. Authentic square detail.
December 15th, 2011 | By Alan D. Pocaro

Born Again

I received a copy of Benjamin Hoff’s The Tao of Pooh when I was in the seventh grade. The book, an introduction to Eastern thought in general and Taoism in particular, came as a revelation to my young mind. For the first time I encountered a belief system not based on an all-knowing, omnipresent God who meted out reward and punishment at will.

Louise Nevelson, Nightscape III, 1974, Cincinnati Art Museum.
December 15th, 2011 | By Brad McCombs

Dancing with Shadows

I am sure those who frequent the Cincinnati Art Museum have specific artworks or galleries they look forward to visiting. For me visiting these artworks induces a hyper-awareness of the space, forms and color that surround me and provide a sensation like no other. Several places at CAM hold this distinction for me. One of those places is the Damascus Room, a reconstructed interior room from Syria during the Ottoman Empire...

Jeremy Bailey, Public Sculpture, 2009, augmented reality performance still.
December 15th, 2011 | By Chris Reeves

“Loading” Is This Thing On? At the Contemporary Arts Center

Phase One: Screen Test is the first exhibition/”phase” of an ambitious three part series entitled Is This Thing On? at the Contemporary Arts Center in Cincinnati. According to the press release, Phase One: Screen Test “traces the history of performance video, showcasing the changing role of technology and new media trends”. The exhibition consists of several components: one enormous and immersive projection of a variety...

Cole Carothers, Sideways Afternoon, 2011. Authentic square detail.
December 15th, 2011 | By Emil Robinson

Cole Carothers

As an artist ages, he or she becomes increasingly sensitive to the world and more uncertain of how to proceed. As the artist grows wiser, he or she must make the decision to continue groping for the elusive threads of memory and the constant uncertainty of personal experience. It is important for the work that the artist must stay uncomfortable. Cole Carothers has made this choice...

Lily Mulberry at 1305 Gallery, Cincinnati, December 2011. Digitally enhanced.
December 15th, 2011 | By Jane Durrell

Lily Mulberry and 1305 Gallery

The idea of opening a little art gallery is one of those persistent day dreams seldom carried out in real life. 1305 Gallery, a model of its kind, opened more than six years ago at 1305 Main Street in Over-the-Rhine and has presented a steady program of exhibitions since. Plans for 2012 are in place, proving that some dreams have legs. When Lily Mulberry was studying painting, along with arts, sciences, and women’s studies...

Michael Scheurer, Untitled #27 (Paint Series), mixed media on cement board.
December 15th, 2011 | By Dustin Pike

A New Reality at the Artisan’s Enterprise Center

With all of the excess stuff floating around, most specifically in North America, it is hopeful to know that some artists are not letting everything go to waste. A New Reality at the Artisan’s Enterprise Center Gallery features 3 artists who are crafting superb works of art from what most people would end up throwing away. Robert Fry, Jennifer Grote, and Michael Scheurer have a mixed batch of mediums but one thing...

Michael Gore, Cobalt Dreidel, blown Venetian glass with lucite stand.
December 15th, 2011 | By Laura P. Yoo

Inspired by Judaica: Glass and Fabric Designs by Michael Gore

Most longtime residents of Cincinnati know that the city has a strong Jewish tradition. But did you know that it’s considered an historic center for Reform Judaism? It is, and has been for more than a century. In 1875 Rabbi Isaac Mayer Wise founded the Hebrew Union College which, after merging with the Jewish Institute of Religion in 1950, became one of four campuses of the college institute. The Cincinnati campus...

Audrey Weatherby, artist portrait in her studio. (Digitally enhanced.)
December 15th, 2011 | By Shawn Daniell

Audrey Weatherby Film Interview

Emerging Artists Exposed presents Audrey Weatherby discussing her artistic practice, textile construction, and wearable art. In this film interview directed and edited by Shawn Daniell for AEQAI, Weatherby explores the integration of garment design and painting, utilizing fabric as a dynamic canvas to investigate form, tactile textures, and personal expression.