THE

updated

aeqai archives

May | 2014

A woman with glasses paints at an easel by a window with large green leaves behind it; her oil portrait shows an older man in a hat beside a small boy in a cap.
May 30th, 2014 | By Chuck Heffner

The Baker Hunt Art & Cultural Center Annual Adult Student Show & Sale

The Baker Hunt Art & Cultural Center invites visitors to meet the artists and teachers behind its annual adult student show and sale on Sunday, June 1, from 2:00 to 4:00 pm, with a chance to enjoy the gardens in Covington, Kentucky.

Etching of the Rialto Bridge in Venice, with gondolas on the canal and buildings along both banks, drawn in dark lines on tan paper.
May 29th, 2014 | By Chuck Heffner

The 24th Annual “A Taste of Duveneck”

The official fundraiser that kicks off summer, A Taste of Duveneck, returns to the Cincinnati Art Museum on Thursday, June 5th, from 6pm-9pm. Last year, the event brought in more than 700 guests.

Studio portrait of a folk duo seated against a dark brown backdrop: a woman in a black dress and cream cardigan playing a mandolin, and a man in a white shirt, tie and red suspenders playing an acoustic guitar.
May 29th, 2014 | By Chuck Heffner

Art After Dark: Cincinnati Pride Night

CINCINNATI, OH (5/22/14) – This month, join us as we celebrate the past and present with Art After Dark: Cincinnati Pride Night! After After Dark, the Cincinnati Art Museum’s Final Friday Happy Hour is proud to be involved with the Cincinnati Pride celebration this year as the 1st official stop on the Skyy Vodka Pub Crawl. Kick off Pride Weekend and enjoy after-hours access to our galleries.

View of Florence's historic centre from a hillside: the tower of the Palazzo Vecchio on the left, the dome and bell tower of the cathedral at the centre, rooftops along the Arno in the foreground, under a hazy blue sky.
May 26th, 2014 | By Chuck Heffner

Mnemonic City. Il collettivo Magma a Firenze

La Fondazione Biagiotti Progetto Arte è lieta di presentare Mnemonic City, un progetto del collettivo Magma nella città di Firenze. Il collettivo, nato nel 2009, ha sede a Londra ed è composto da artisti provenienti da ogni angolo del mondo.

Pastel landscape at dawn: an orange and pink sky over rows of misty reddish and violet trees, a thin vertical post on the right and pale houses among the red brush below.
May 24th, 2014 | By Matthew Metzger

Kay Hurley’s Purely Pastels, Random Acts of Beauty

Kay Hurley’s art has been, quite simply but very profoundly, an exploration of the beautiful. Luminous, tonal, unpeopled landscape has unabashedly been her exclusive “genre”. Her commitment to her art has been steadfast, second only to actually living life. Or more aptly put, perhaps, would be to say she has appropriately combined the two.

Gallery with a row of small framed works along white walls, overlaid in a double exposure with large translucent grey silhouettes of figures.
May 24th, 2014 | By Christine Huskisson

Roya Ramezankhani B.F.A. Exhibition

Nearly fifteen panels of translucent silk hung at the entrance of the Tuska Gallery for Contemporary Art on the campus of the University of Kentucky. They overlapped in such a way as to block any clear access to the interior of the gallery space that housed the B.F.A. exhibition of Roya Ramezankhani during May of 2014.

Front of a stone school building with a pediment and a row of columns over the entrance, a green dome behind it, and a banner on the fence in front.
May 24th, 2014 | By Jane Durrell

Raveled/Unraveled at Clifton Cultural Arts Center

Raveled – Unraveled starts off with a a linguistic challenge. In most usages “ravel” and “unravel” carry the same meaning, but for the purposes of this exhibition they are taken to be opposites.

Painting of a figure whose head is wrapped in layers of striped and patterned scarves and a brown rope, against a pale background.
May 24th, 2014 | By Emil Robinson

Shall I tell you the secret of the whole world? Painting Parody and Disguise

Shall I tell you the secret of the whole world? Painting Parody and Disguise at the Contemporary Arts Center presents a range of painterly practice from sculptural to traditional, conceptual to formal. As such it is a coup for the Contemporary Arts Center, whose recent presentations can seem to under-represent the current excitement surrounding contemporary painting.

Painting of fine horizontal yellow and red-brown lines on a rectangular canvas, framed by a pale layered border on a tan ground.
May 24th, 2014 | By Fran Watson

The Un-Gallery

Once in a great while, people appear who truly care about art and artists. At 506 Ash this rare miracle has morphed into a highly successful, bottom line-less, mutually advantageous, limited opportunity to allow collectors access to the finest of area art in a most unlikely space. The show-place is, in fact, an old garage on a dead end industrial street in Elsmere, Kentucky, and at the opening on May 17, it was packed.

Large mixed-media painting hung on a white wall above a wooden floor: a mound of black and pink bands with bare branches, a grey head at the top and the hand-lettered words THE LEGEND IS IN TROUBLE across the upper edge.
May 24th, 2014 | By Hannah Leow

Carl Solway Gallery Review

Story is an unmatched force. Stories possess the power to transcend time, to connect human experience, to cross cultures, to resonate on both individual and global scales, to permeate emotion and logic, to unite adversaries, to shift perspectives, to revitalize past, present (especially present), and to renew the future.

Untitled 328 by Marc Leone: a circular grey relief of concentric rings with cracked, pooled textures and a deep crater at its center, on a dark grey ground.
May 24th, 2014 | By Mike Rutledge

Trifecta Review

COVINGTON – Viewing Marc Leone’s hanging artworks, one can almost see a planet being formed. Tectonic plates collide. Mountains rise. Lava oozes from gigantic cracks on the planet’s crust. And the craters show striations from millions of years of erosion.

A shirtless young man with his mouth wide open, shouting, in a garden in front of a wooden fence.
May 24th, 2014 | By Louis Z. Bickett

The Photo Archive of Louis Zoellar Bickett

Sam Foy in the archive garden and Aaron Skolnick’s pairs of shoes, both photographed on May 5, 2014 for The Archive of Louis Zoellar Bickett.

Walkway and red metal arch beside the campus lake at Northern Kentucky University.
May 24th, 2014 | By Daniel Brown

Shawn Daniell: In Memorial

Shawn came to see me in 2010, when I had just taken over as Editor of aeqai. She was shy but certain that she had an idea that would be good for aeqai and for her. I remember her literally sitting on the edge of my couch, until she got more comfortable and then moved on back.

Realist oil painting of a young woman with long auburn hair in a black leather jacket, arms crossed, on a subway platform beside a white tiled wall with a mosaic border and the number 42.
May 24th, 2014 | By Marlene Steele

Figurative Extravaganza at Miller Gallery

There is a little something for everyone in the Figurative Invitational at Miller Gallery. Their selection of artists, both local and international, accommodates several of the trendy approaches considered current today.

Front of the Greek Revival building that houses the National Portrait Gallery, with a pediment and a row of columns above the entrance steps.
May 24th, 2014 | By Marlene Steele

Postcard from DC “American Cool”

This photography exhibition presents several decades of historic, artistic and contemporary images of American icons who embody the concept of “Cool”.

A group of visitors in a bare-floored gallery room with white walls, standing and talking near small framed prints, one man pointing.
May 24th, 2014 | By Jens Rosenkrantz

Photos of Northside Studio Tour on May 18th

Photographs from the Northside Studio Tour on May 18, 2014: a pop-up by Kip Eagan at the Hoffner Lodge, Margot Gottoff’s desk, and Frank Herman’s studio.

A smiling woman in a green T-shirt stands beside her painting of two abstract figures in blue and white, in a classroom with a whiteboard.
May 24th, 2014 | By Robert K. Wallace

Tribute to Shawn Daniell (Buckenmeyer), 1977-2014

I first met Shawn as a journalist. In February 2011 she covered a lecture by the French artist Claire Illouz for The Northerner, NKU’s student newspaper.

Restored brick and painted facades with bay windows and storefronts along a street in Over-the-Rhine, Cincinnati, under a blue sky.
May 24th, 2014 | By Daniel Brown

May Essay

The recent trip to New York by our symphony, The May Festival Chorus, The Cincinnati Opera, The Cincinnati Ballet, The Art Museum, The Taft Museum, The Ariel String Quartet from CCM, and seven area chefs represents a new opening wedge in branding and marketing Cincinnati nationally.

Painting of a woman with dark hair pulled back, a long pale neck and a black top, against a grey-blue background.
May 24th, 2014 | By Jane Durrell

CAC 75th Anniversary

When we joined the CAC in the 1950s we were just back from two months abroad, having saved our money and quit our jobs to make the trip. CAC was young and so were we, and I think we were fired with the idea of keeping our culture level high and open. Also, it didn’t cost much to belong, an important element in our free-time life.

Beige steel base of a sculpture with a pay phone mounted on its front and two plaques on the columns, on a city sidewalk.
May 24th, 2014 | By Daniel Brown

The Contemporary Arts Center Turns 75

Aeqai congratulates the CAC as it celebrates its 75 anniversary year. We have decided to help the festivities by asking two people a month to let us know what the CAC has meant to them.

Two black-and-white circular seals reading Staatliches Bauhaus Weimar: the left one shows a triangle and crossed figures, the right one a stylized face.
May 24th, 2014 | By Danelle Cheney

Build Your Own Bauhaus (Design and Quality by Ikea of Sweden)

Shortly after World War I in April 1919, Das Staatliche Bauhaus—The State Home for Building—opened under the leadership of 31-year old Walter Gropius. The new Bauhaus was a merger of two existing schools: the Weimar Arts and Crafts School and the Weimar Art Academy. This marriage of applied arts and fine arts was the Bauhaus ideal.

A row of old cars buried nose-first in a flat, dry field, their bodies covered in layers of colored graffiti under a grey sky.
May 24th, 2014 | By Maxwell Redder

May Poetry

Driving North America’s main arteries, I nod to Hudgins’ Cadillac in the Attic while snapping a shutter, amused that the attic car will never visit Cadillac Ranch; I nod to Amarillo.

The Contemporary Arts Center in Cincinnati, a white stone building with a dark overhanging box, seen from the street under a blue sky.
May 24th, 2014 | By Daniel Brown

May Letter from the Editor

The month of May has been full of art exhibitions, indoor and outdoor, and lots of benefit parties to raise money for them. We are nearing the end of the official art year, in June, as the art season is more or less the same as the school year. Aeqai will post a June issue, and then one summer issue in July/August.

Four details of crucifixion images. Top: a painted crucified Christ with an INRI plaque above his head. Bottom left: a carved head and torso beneath an INRI scroll. Bottom right: a painted crucifixion with mourners and the letters INRI on the cross.
May 24th, 2014 | By Dustin Pike

Geometrically Ordered Design: The One Language

In this article I will be dissecting the notion that letters and numbers have shared an integral relationship with each other since their very beginnings, which, in ancient Greek times, was called ‘Gematria’ or ‘Isopsophy’. The basic idea is that since numbers, and their inter-relationships, form the key to every science, it would make perfect sense to have an alphabet based on the same principles.

Long gallery room with exposed brick walls, a white tiled ceiling with track lights, and tables and a counter holding prints, boxes and clothing.
May 24th, 2014 | By Kevin Ott

BLDG: Who or What Are They?

Midway through my exploration of BLDG, the Covington based branding/art studio/creative think tank/gallery, Jay Becker said “It all starts with the art”. I was trying to grasp ahold of the many tentacles that BLDG seems to be, and this statement described the head of the octopus.

Book cover of Lovers at the Chameleon Club, Paris 1932 by Francine Prose: red and green neon lettering over a black night scene with the Eiffel Tower lit by white lights.
May 24th, 2014 | By Daniel Brown

Book Review: Lovers at the Chameleon Club, Paris 1932

Francine Prose’s newest novel, Lovers at the Chameleon Club, Paris 1932, is both her finest to date as well as the best novel of 2014 to date. The book is written from several different points of view, and by several different narrators/protagonists. Prose takes us to Paris in the late 20’s, and the novel runs through World War II and briefly afterwards.

Black-and-white painting of an older man with dark-rimmed glasses and a dark collar, in soft, blurred tones.
May 24th, 2014 | By Saad Ghosn

Art for a Better World

Nathan Weikert was born and raised in Kettering, Ohio. He graduated from Miami University with a BS in art education (1998), a BFA in painting (1998), and a MA in art education (2002). In 2013 he had a solo exhibition at 1305 Gallery in Over The Rhine and earned an Ohio Arts Council Individual Excellence Award.

Chimamanda Ngozi Adichie, Americanah (Alfred A. Knopf, 2013), book cover. Image from Penguin Random House. (Related image located during this archive's reconstruction.)
May 24th, 2014 | By Daniel Brown

Book Review: Three New African Talents

A virtual plethora of new African writers is taking the literary world by surprise and by storm. Last year’s Amerikah by Chimamanda Ngozi Adichie ended up on The New York Times’ five best novels of the year, most deservedly (I had not, at that time, read it).

Painting of a tin-man robot and a monkey inside a dark wooden cabinet, with the INPA 3 title at the left.
May 21st, 2014 | By Chuck Heffner

Manifest Announces Three New Art Books

INPA 3! Manifest celebrates the recent public release of its 3rd International Painting Annual (INPA 3), a stunning 184 page full color survey of contemporary painting from across the U.S. and the world.

Green poster with a black-and-white halftone figure of a shouting woman in a spiked crown, one arm raised, above the words S.O.S ART14.
May 21st, 2014 | By Chuck Heffner

SOS Art Show

SOS ART 2014 is a community art show and event of creative expressions for peace and justice. It runs from May 30 to June 8 at the Art Academy of Cincinnati, with free public events: an opening, poetry readings, dance, music, a documentary screening, and panel discussions on affordable housing and the death penalty.

Storefronts along Hamilton Avenue in Northside, Cincinnati, one with a painted sun on a mint-green facade.
May 17th, 2014 | By Chuck Heffner

Alice F. and Harris K. Weston Art Gallery – North by Northside

The Cincinnati Arts Association’s Weston Art Gallery in the Aronoff Center for the Arts announces a return to its original Artist Studio Tours with North by Northside, a fun-filled springtime art event on Sunday, May 18, 2014.

Bronze model of a tiered fountain, with a standing figure with outstretched arms at the top and figure groups around the central column, on a round wooden pedestal against a grey background.
May 17th, 2014 | By Chuck Heffner

Cincinnati Art Museum Upcoming Events

Here is what the Cincinnati Art Museum has coming up in May: a conversation with Jennifer Purdum in the ARTiculate series on May 21, a book auction from the museum library with its preview on May 17 and bidding closing on May 18, and Art After Dark: Cincinnati Pride on May 30.

Blue-toned photograph of a small rail station with the sign ONDEROGA, a figure in its doorway, the Earth rising behind it and star trails across the night sky.
May 17th, 2014 | By Chuck Heffner

Art Beyond Boundaries Presents “ArtSpire”

Art Beyond Boundaries Gallery invites you to a series of professional and creative development workshops and gallery talks by five established regional artists. The series will be held during Second Sunday on Main, a monthly OTR neighborhood festival.