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aeqai archives

Detail of an abstract painting by Susan Cantrick: green, white and blue geometric shapes
June 23rd, 2013 | By Shawn Daniell

Call for Painting – 4th International Painting Annual – Deadline to Submit: June 30th

Manifest is an internationally recognized Cincinnati-based non-profit organization founded in 2004 by students and professors dedicated to creating high quality experiences of visual art through exhibition, publication, artist-support, and education.

Daguerreotype portrait of an unidentified woman, c. 1850, by Southworth and Hawes.
June 22nd, 2013 | By Shawn Daniell

Wonder of Wonders: The Art of the American Daguerreotype at the Taft Museum of Art

An enormously useful and popular invention, the daguerreotype was at once a science and an art, a documentary tool and an emblem of emotion and memory. Aspinwall will discuss the aesthetics of this earliest form of photography, revealing the surprising variety of subjects recorded. Aspinwall has worked with the Hallmark Photographic Collection at The Nelson-Atkins Museum of Art since 1999.

Local Speed storefront with purple speech-bubble logo sign, square crop
June 21st, 2013 | By Daniel Pfalzgraf

Letter from Louisville

Today, conversations about art in Louisville, Kentucky, often center on the East Market Street district, affectionately dubbed NuLu (short for “New Louisville”). NuLu’s rise as an arts district began with visionary investors like Barbara Smith in the late 1980s, buying up buildings the gritty, run down section of downtown.

A coal miner wearing overalls with orange reflective stripes walks away from the camera down an underground coal mine tunnel, beneath ceiling lights and a red laser line on the rock roof.
June 21st, 2013 | By Louis Zoellar Bickett

America: Witnessed by Raymond Adams Is a National Treasure

NYC based photographer Raymond Adams’ new (and first book) AMERICA: WITNESSED is a bibliophiles’ dream—a perfectly designed book. Adams’ photographs are lyrical and narrative in nature, all shot in his home base of NYC and vicinity and on a U.S.A. cross-country trip in his Odyssean quest for home and, explanation of “what America means?”

Painting of a grasshopper in flight with patterned red-brown wings against a blue sky with white clouds above a yellow field.
June 21st, 2013 | By Maxwell Redder

Maxwell’s Poetry Corner

From my window: buzzinghighway traffic slows as the sunlowers. Head lights and break lightssuck out the last rays, proudlydisplaying their eminence along the road.The screaming red streaks blendwith submissive yellow ones like an operasingers vibrato. Their passinghollows out the nightas would the ocean’s pull a crab hole;a momentary draw, then refillingwith the next wave.

Ai Weiwei's Straight: a vast floor installation of straightened rusty rebar laid in long wave-like rows, gallery walls covered with printed lists of names, two visitors near the far wall.
June 21st, 2013 | By Keith Banner

Stone-Cold Ineffable: Ai Weiwei’s “According to What?”

Ai Weiwei’s “According to What?” (currently at the Indianapolis Museum of Art through July 17, 2013) is pure perfection. An Apple-Store consumerist clarity defines and propels the whole enterprise, a clean, polished fetishism that somehow becomes spiritual in its carefulness.

Black-and-white oil painting of a dense crowd of men in hats and dark suits, seen from behind, filling the frame.
June 21st, 2013 | By Saad Ghosn

Art for a Better World

Rob Jefferson was born in 1970 on a naval base in Memphis, Tennessee, and has lived in Cincinnati ever since. A graduate of the Art Academy of Cincinnati with a BFA degree in painting and drawing (1992), his work has been featured in various publications including 100 Midwest Artists, New American Paintings and Playboy Magazine.

Man in a long jacket standing beside a camera on a tripod, hand raised as if conducting, in a half-plate daguerreotype.
June 21st, 2013 | By Jonathan Kamholtz

Pictures and Property: Photographic Wonders: American Daguerreotypes from The Nelson-Atkins Museum of Art

“Photographic Wonders,” a selection of daguerreotypes culled from the extraordinary collection put together by Hallmark and then given in 2005 to Kansas City’s Nelson-Atkins Museum of Art, is the real deal.

The new Baumhaus treehouse in Munich’s Neuhofener Berg, 2013.
June 21st, 2013 | By Jan Brown Checco

A Letter from Munich

In the first week of June, a gaggle of travelers from the Cincinnati Park Board and Cincinnati Parks Foundation flew to Munich for a special event that neatly closed a circle – a promise made six years ago, 20 feet up in the air in Mt. Airy Forest. As an artist who has coordinated exchanges and supported parks projects for the past 15 years, I happily accompanied them.