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aeqai archives

The word 'PLAY' carved into a garden stone, one of Gary Gaffney's public art messages
May 22nd, 2013 | By Saad Ghosn

Art for a Better World

Gary Gaffney, born in New Orleans, LA, is now Professor Emeritus at the Art Academy of Cincinnati after a teaching career of more than 30 years. He has worked in a wide range of visual and literary media. His text-based images are a small effort to subvert the polluting influence of commercial advertising.

Brick church with a statue on its roofline, Mt. Adams, Cincinnati
May 22nd, 2013 | By Kevin Ott

A Letter from Mt. Adams

Far from being out of town, where these “letters from” are supposed to be, Mt. Adams is as close to town as one can be in Cincinnati. And yet for us, it was our way of leaving Cincinnati without leaving Cincinnati.

Detail of Tim Kennedy's Porch at Night: figures gathered on a porch, warm doorway light against deep blue shadows.
May 22nd, 2013 | By Jonathan Kamholtz

Gazes and Shadows: Continuity and Change: The Return to Figurative Painting

“Continuity and Change” is a big and ambitious show, curated by Daniel Brown, the Editor of Aeqai who has written about art, been an art dealer, and an independent curator for several decades.

Three men posing in front of a brick wall with a large drawing of faces on the wall behind them; the photograph bears a date stamp reading 30 3 '01 in the lower right corner.
May 22nd, 2013 | By Christa Zielke

Meaning and Message: Marketing at the Intersection of Arts and Advocacy

The conversation about “outsider art/ists” has been constantly changing and evolving for years. These changes are not ones without conflict – from continuing debate on terminology, qualification, to the many issues faced at the intersection of art and disability advocacy.

Interior of Michael Casselli's wax paper house installation at Herndon Gallery: white columns and a dark railing in the foreground, translucent glowing walls behind.
May 22nd, 2013 | By Christopher Hoeting

An American Appetite for Living and Consuming

Two new exhibits examine perspectives on domestic living spaces in site-specific collaborations about American Life. On this old fashion road trip, I discovered the dichotomy of Living and Consuming; A concept that is as American as apple pie, not just in American Life, but also in American Art.

Night view of the red-brick Art Academy of Cincinnati building with the illuminated letters "ART" on its corner facade.
May 22nd, 2013 | By Laura A. Hobson

Art Academy of Cincinnati Looks to the Future

John Sullivan, president of the Art Academy of Cincinnati since 2012, looks for teachable moments when dealing with his student body of 200. He offers a supportive comment or a suggestion as he walks the halls of the 150,000 square foot building which moved from its Eden Park location adjacent to the Cincinnati Art Museum in 2005.

Untitled blown-glass vase by Rachel Russo, turquoise fading to lime green.
May 22nd, 2013 | By Karen S. Chambers

“Queen City Glass Arts . . . Renaissance,” 5th Street Gallery

Work by seven members of Queen City Glass Art is currently on view at the 5th Street Gallery, a co-op gallery in the Netherland at the corner of Fifth and Race. The organization is a nonprofit dedicated to educating and uplifting the community through hot glass arts. They work at the hot shop, glassblowing studio, at Brazee Street Studios.

Art quilt with orange and white firework bursts against a dark patterned night sky above a pink embroidered flower garden
May 22nd, 2013 | By Karen Chambers

“Terrie Hancock Mangat: Quilts” at Carl Solway Gallery

Terrie Hancock Mangat is quite clear about what she’s making when she stitches together cloth and adds all manner of embellishment from buttons to beads, appliqués to embroidery. She is making art quilts.

Vintage Commodore 64 computers, keyboards and monitor displayed on a table in a gallery.
May 22nd, 2013 | By Marla Sweitzer

Art, Technology and Innovation Merge: DISRUPTORS at the Artisan Enterprise Center

Art and technology, innovation and entrepreneurship unite in DISRUPTORS, on display through May 24 at the Artisan Enterprise Center in Covington, Kentucky. The exhibit sets out to explore “the challenge of maintaining relevancy in art and technology and the role of the artist-innovator,” notes Curator Morgan Cobb.