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aeqai archives

A golden sculptural seed pod, split open to reveal colorful contents, mounted on an ornate gilded scroll bracket against a blue-grey surface.
September 22nd, 2013 | By Emil Robinson

Landscapes Re-Framed: Sculptures by Celene Hawkins

The traditional role of the frame in the presentation of art is not as simple as it once was. Many contemporary artists have found interesting ways to question it.

Close-up of colorful cocktails on a bar counter: a dark red drink with crushed ice, fresh mint and a lime wedge in focus, with blurred yellow and red cocktails behind.
September 22nd, 2013 | By James Cummins

Happy Hour at the Academic Lounge

A poem by James Cummins: a happy-hour dialogue in clipped verse that spirals through liking, desire and illusion, each answer reversing the last.

Installation view of the exhibition at Brazee Studios: several wooden kinetic sculptures, including sawhorse structures with bricks, a round table and a tall column.
September 22nd, 2013 | By Larry Watson

Jim Killy: Mostly Wood

As I began to wander the gallery at Brazee Studios, a young lady, Kayla, age 7, starts interacting with the sculptures with little hesitation, immediately reaching up and sliding the half-brick forward on a long, metal track, while instructing her mother to do the same with the opposing piece.

Line drawing of an interior with a framed sketch of a woman, a rocking chair, and a stool.
September 22nd, 2013 | By Shawn Daniell

Embrace the Ambiguity: Illusion and Immersion

We live in a world full of ambiguity. Like many people, I find myself having to travel this world with little or no direction. It gets confusing out there trying to interpret the signs, especially when some of those signs may have multiple interpretations.

Square detail of the book cover of Someone by Alice McDermott: title, author name and brown line-drawn city buildings.
September 22nd, 2013 | By Daniel Brown

Book Review

Years elapse between novels by Alice McDermott, one of America’s most accomplished novelists. It’s been seven years since her last offering, and her new novel, Someone, is one of those occasional perfect pieces of fiction that you read slowly, marvelling at the simplicity of her writing style, her easy narrative prose, her uncomplicated sentences, and the grace in her characters.

A man in a dark jacket standing beside a large colorful abstract painting in a gallery.
September 22nd, 2013 | By Laura A. Hobson

Aaron Cowan, Director of DAAP Galleries

As the son of a carpenter from a working class background with family based in Norwood, Aaron Cowan, 42, has risen progressively through the ranks to become director of the Design, Art, Architecture and Planning (DAAP) Galleries at the University of Cincinnati.

Exhibition poster for Regan Brown’s ‘Trickster’ installation at the Clifton Cultural Arts Center: TRICKSTER over a jigsaw-puzzle portrait of a man with a finger to his lips.
September 22nd, 2013 | By Regan Brown

The Emperor’s Contemporary Clothes: Contemporary Art as Temporary Con

Regan Brown reads Plato’s allegory of the cave through the Trickster of myth, from Cage’s silence and Rauschenberg’s white paintings to Banksy, and through the story of the man behind his documentary “Trickster,” to ask whether contemporary art is a con or the clearest mirror of our shifting reality.

Detail of a dramatic cloud formation, painting by P. A. Nisbet
September 22nd, 2013 | By Rick Bennett

Earth, Air, and Water: Contemporary Landscape Painting

Influenced by the late work of Monet and Modernist abstraction, a number of today’s landscape painters have isolated and focused on specific elements, and this series will consist of three parts: 1. skyscapes, 2. waterscapes, and 3. paintings with traditional landscape viewpoints.

Detail of Jason Franz's pencil life drawing of a seated nude figure, signed and dated 'FRANZ 9-3-2013'.
September 22nd, 2013 | By Jason Franz

What is Contemporary Art?

When asked to write something answering the question “What is contemporary art?” I was uncertain where to begin. I mean, isn’t it obvious?