Alice Frieder Weston is by no means an obscure figure now nor has she been over the many years she and husband, Harris Weston, encouraged and supported the arts and other causes in Cincinnati. Entering her living room, as she says “good morning”, one is greeted by an expanse of Carl Strauss-designed light and airy space and a broad view of the Ohio River. Everywhere is wonderful...
If compelled to list my favorite painters, I never say “Whistler,” but in thinking of pieces I ritually visit, Whistlers are everywhere: at the Tate, Harmony in Grey and Green: Miss Cicely Alexander; at the Frick, Symphony in Flesh Colour and Pink and Harmony in Pink and Grey; at the Met, The Arrangement in Flesh Colour and Black: the Portrait of Theodore Duret, and, and at the Taft, At the Piano. In contrast to those others, At the Piano has a horizontal format; by virtue of its expanded palette and the inclusion of two figures, it asserts a dialectic.
“I am at war with the obvious,” Photographer William Eggleston once said when asked about his work. I have a feeling Carl M. Jacobs III, the collector the exhibit “Not Just Pretty Pictures” beatifies at the Cincinnati Art Museum (through August 28, 2011), might have said the same thing if asked why he collected the art he did.
“Hard Knocks: Art without Art School” is a loosely curated collection of more than one hundred works of art by thirty-one artists from around the globe. By making use of their three curators (visual artists Antonio Adams, Ran Barnaclo, & Spencer van der Zee,) Thunder-Sky’s Face Book page, and exhibition blog to cast a wide net for participating artists, they reached out...
Louis Comfort Tiffany (1848-1933) has been a crowd-pleaser for decades (except for the period following his death as a bankrupt until the 1950s). Popularly he is best known for his leaded glass or stained glass lamps, first marketed in 1899. But his stained-glass windows were the big money makers for the Tiffany Glass Company, incorporated in 1885, and renamed...
Tucked in the multi-page announcement of the Cincinnati Art Museum’s 2011-12 exhibition schedule is a portent of change beyond the new season. Re-installation of the Schmidlapp Gallery will be “the first step in the vision for a re-designed Cincinnati Art Museum.”
To find out what’s going on, in the Schmidlapp gallery now and the rest of the Museum later, we went directly to...
Books. From the tiniest , “Musical Boxes” by Mark Palkovic measuring a mere 1” X 1 1/2”, to the largest, also qualifying as the most outrageous,”Zulu: A Book Doll” by Pamela Howard, Bookwords 12 at the Main Library through August 29, 2011, is a plethora of invention and imagination. Pop-up book artists are now known as “paper engineers”...
Clement Greenberg once said that “the superior artist is one who knows how to be influenced” and the current survey of paintings by the late Harry Reisiger reveals just such an artist. Born in 1922, Reisiger studied at both the Art Academy and the University of Cincinnati, eventually becoming a successful commercial designer for Kenner Products. Inspired by his love of music and landscape...
With apologies to psychiatrists and brain surgeons, I think one can watch a mind at work. The way the eyes move, the head takes up its position and the mouth forms into odd little shapes are all unmistakable clues. Some people hate computers, and this is especially true of Daniel Brown, recently installed editor of ÆQAI Arts Journal. Funny that, because his mind resembles...
