THE

ANNEX

updated

aeqai archives

July | 2011

July 25th, 2011 | By Keith Banner

What’s The Big Idea? “Body of Art” at Prairie Gallery

“Body of Art,” the exhibit currently at Prairie Gallery (on display through August 20, 2011), is a group show in which the weirdness and greatness of the individual works often outshine the reason they were pulled together in the first place. The show is a grab-bag of video, photography, sculpture, painting and drawing, and while the “body” might be the source of curatorial inspiration...

July 25th, 2011 | By Fran Watson

Ode to Trendiness

Initial Impression: Darkened rooms, interestingly arranged for multi-screened film projections. Walls and partitions simultaneously displaying black and white events. A slim man scatters a white powder over a grassy area. He is printing the universal signal for help, SOS, in large letters by drizzling a white powder on the grass. Written material nearby indicates that this piece reflects the questions...

July 25th, 2011 | By Chris Reeves

It’s Oh So Quiet

In the late1950s and into the 1960s, the philosophies of composer John Cage permeated the arts. Allan Kaprow took Cage’s notion of incorporating all of life into (and as) music and invented the “happening,” where the human body took over as the artist’s medium, the environment the “canvas,” and the spontaneity of actions and occurrences surrogated the artist’s autonomy and hierarchy...

July 25th, 2011 | By Karen S. Chambers

Treeline: Photos by Kent Krugh

It might seem flip to start a review of “Treeline,” Kent Krugh’s (American, 1955- ) rather magnificent exhibition of 22 black-and-white photographs* of the Angel Tree, the largest tree east of the Mississippi, with the old chestnut that “you can’t the see the forest for the trees.” But in this case, the Quercus virginiana, an evergreen oak tree AKA southern live...

July 25th, 2011 | By Fran Watson

Meanwell at Mary Rand Gallery

In Cincinnati painting circles two names, from a recent past, keep their magic. The late Paul Chidlaw and the late Jack Meanwell, both of whom painted with a flashing style raised from the canvas in waves of impasto excitement. Both artists’ works are available at Mary Ran Gallery, but it’s Jack Meanwell who’s currently in the gallery spotlight. Thousands of pieces of Meanwell’s arework on hand...

July 25th, 2011 | By Shawn Daniell

Dustin Pike: Video Interview

Emerging Artists Exposed presents Dustin Pike reflecting on art as a means of personal growth, social awareness, and positive change. In this video interview, Pike discusses how creative practice can move beyond the gallery wall and become a way of shaping one’s environment, relationships, and sense of purpose.

July 18th, 2011 | By AEQAI

Manifest Gallery Wins National Independent Publishing Award

Congratulations to Manifest Gallery for winning a prestigious national independent publishing award. The following is their press release:
The Independent Publisher Book Awards (IPPY) ceremony was held recently in New York City. Manifest’s 5th International Drawing Annual, a 184 page book (an ‘exhibit in print’) representing 114 works by 72 artists from 23 states and 10 countries including Australia, Canada...

July 14th, 2011 | By Selena Reder

An Afternoon with African Artists

Northern Kentucky University’s Ceramic and Sculpture Studio is brimming with teachers. They come from all corners of the U.S. to grind glass, cast bronze, and weave cotton cloth under the tutelage of master Ashanti artisans of Ghana, West Africa.
MaryCarol Hopkins, professor of Sociology, Anthropology, Philosophy at NKU, conceived the idea four years ago of a summer African Art Institute for teachers. She...