THE

ANNEX

updated

aeqai archives

January | 2012

Robert Knipschild, Iowa Landscape, 1964, detail. Cincinnati Art Museum.
January 23rd, 2012 | By A.C. Frabetti

Robert Knipschild at B. Deemer Gallery

The B. Deemer Gallery in Louisville presents a partial retrospective of the work of artist and educator Robert Knipschild (1927-2004). Paintings include works dating from the 1960s (a little over a decade after he was selected for the Metropolitan Museum of Art’s renowned exhibition “American Painting Today”) through the 1990s. His style in this extensive period was varied, from some early works that reveal the influence of...

Raymond Papka, "I Saw Eternity the Other Night", encaustic and assemblage (detail). Marta Hewett Gallery.
January 23rd, 2012 | By Fran Watson

Dimensions: Devotion to Detail at Marta Hewitt

The Marta Hewitt Gallery always looks fresh. There’s something about the bling effect of glass and the space implied and manipulated by that medium. But Hewitt is taking this a giant step forward, lately, pulling in less famous, but equally good artists in other mediums. Currently three multi-dimensional artists, dealing in work-intensive materials are well described in the title: “ Devotion to Detail.” More than just pretty...

Chad Rasmussen, "Purple Iris Valley", acrylic and mixed media on canvas (detail). Thunder-Sky Gallery.
January 23rd, 2012 | By Dustin Pike

Inside the Infrastructure

The idea of “abstraction” in art has always held a definitive place in my heart ever since I began noticing my love for creative expression. Not only is the idea typically misunderstood by most audiences, it seems to be so because it denies certain concrete realities and meanings we hold dear. Ironically, abstraction seems to be the most enjoyable to review since I, much like a weather forecaster, don’t have to worry about...
Stacie Seuberling, Summertime, pastel, 16 x 20 in.
January 23rd, 2012 | By Daniel Brown

Calm at the Center: Stacie Seuberling

Stacie Seuberling’s landscapes may seem like sets for Romantic ballets; the movement of trees equates to the movement of bodies in space; the lines convey form against curtains of color. Smaller in scale than a stage set, however, their magic lies in Seuberling’s insistence on the real (always an actual landscape), as it combines with a fairy-tale-like evocation of memory, where shadows dis-solve and time slows. Calling...

Chad Harbach, The Art of Fielding, Little, Brown and Company, 2011. Cover detail.
January 23rd, 2012 | By Daniel Brown

Best Fiction of 2011

The year 2011 in new fiction began as bleakly as any in recent memory. By the end of summer, only two or three novels seemed even to be somewhat good – and we need to watch literary/politically correct trends, to make certain we’re not simply reading what’s been declared good for us/for the victimized but newly empowered writer. In past years, literature has been saturated with “chick lit”, “ethnic lit”, et. al., and...

Kristy Kemper, senior at the Art Academy of Cincinnati, recipient of the 2012 AICUO Award for Excellence in the Visual Arts. Authentic portrait adapted to a square thumbnail. (Digitally enhanced.)
January 23rd, 2012 | By Shawn Daniell

Kristy Kemper Film Interview

Emerging Artists Exposed presents Kristy Kemper discussing her artistic practice, research into animal behaviors, and vibrant layered artworks. In this film interview directed and edited by Shawn Daniell for AEQAI, Kemper explores the intersection of nature, organic forms, and Art Nouveau influences, examining how animal interactions shape visually captivating worlds that are simultaneously magical, delicate, and menacing.