THE

ANNEX

updated

aeqai archives

October | 2012

A woman in an orange two-piece swimsuit floats on her back in dark water, supported by two men standing on either side.
October 22nd, 2012 | By Emil Robinson

Polaroids from “Stay the Same Never Change”

The act of looking is brave. Especially if you look at things you can’t handle. I think that most people do not look. If you’re really paying attention you could have your heart broken twelve times a day. Most of the time we aren’t looking...

A woman in a long dark backless evening gown turns toward the camera with one hand resting on an ornate console table in a paneled room.
October 22nd, 2012 | By Keith Banner

Glamorama: Herb Ritts at the Cincinnati Art Museum, and Edward Steichen at the Taft Museum of Art

Herb Ritts’ show “L. A. Style” at the Cincinnati Art Museum (up through December 30, 2012) has an etched-in-stone, funereal quality fused with a kinky soullessness. Ritts is one of those seminal photographers of an age, like Richard Avedon, Irving Penn and Edward Steichen (more on him a little later), whose lens captured the essence of a zeitgeist way beyond what is framed in his pictures.

A solitary small tree stands on the crest of rolling green hills beneath a broad sky filled with gray and white clouds.
October 22nd, 2012 | By Dustin Pike

Barry Andersen is Elemental

It was a cold afternoon and sunny. The air was crisp and I soon found myself at the Notre Dame Academy · Frances Kathryn Carlisle Performing Arts Center and Gallery. The gallery was set off to a wing of the school that allowed for a quiet visit. Hardly anyone would have known I was there at all which, in my opinion, is the best way to review an art exhibit.

A black-and-white photographic montage shows a woman holding a bright oval of light before her torso, surrounded by overlapping portraits.
October 22nd, 2012 | By Jane Durrell

“Aperture” at Phyllis Weston Gallery

The dream-tinged images in Aperture, Phyllis Weston Gallery’s contribution to FotoFocus, come from distinctly individual bodies of work but share an other worldly quality. Jane Alden Stevens’ series, “Birth & Death,” is composed of large, labor-intensive mono-prints dating from the early to mid-1990s, “a time before digital tools could have made it much easier” she comments in her artist’s statement.

Stylized green mosquito watercolor.
October 22nd, 2012 | By Maxwell Redder

Poetry by Maxwell Redder

Naked, making money, laughing just as hydraulics hiss from the bus lifting itself back up to go – easy life for a wine rep. Dressed, no cigarette yet, relentless phone calls ringing like church bells – clients wanting their orders on time. Bathtub, backrub...

Translucent vertical PVC strips studded with silver rivets hang before a tan and brick gallery wall, reflected on the floor below.
October 22nd, 2012 | By Maria Seda-Reeder

Anthony Luensman Explores Carnal Delights in “Taint”

Anthony Luensman’s first major solo exhibition in five years, “Taint” at the Alice F. and Harris K. Weston Art Gallery was supported by a $20,000 National Endowment for the Arts grant—one of only seventeen such grants chosen out of 1,624 eligible applications by arts organizations commissioning the creation of new works in the state of Ohio...

Generatively reconstructed dancer on stage, square thumbnail without white border. (Digitally enhanced. May contain discrepancies from the original artwork.)
October 22nd, 2012 | By Kathy Valin

Photography: A Perfect Fit for Former Dancer

“Cincinnati Ballet at 50: Photographs by Peter Mueller” opened September 6 and runs through May 2014 (coinciding with the close of the company’s 50th Anniversary Season) at the Cincinnati Ballet Center, 1555 Central Parkway. Consisting of about twenty oversized photographs displayed on walls throughout the lobby of the Mickey Jarson Kaplan Performance Studio...

Gold patterned panels surround ocean waves, a seated woman with a laptop, a circular mosaic floor and three geometric spheres.
October 22nd, 2012 | By Fran Watson

All Kinds of Time

Those attuned to area art events cannot help but notice the current photo-mania, which is probably one of the best combined publicity efforts for the arts in recent local history. Most of the galleries and museums in the Cincinnati area have combined to present a deluge of photography-as-fine-art exhibits in all of its varied and seemingly endless forms...

Close-up of the yellow vinyl-record label reading ‘Telegraph Avenue’.
October 22nd, 2012 | By Daniel Brown

Book Reviews by Daniel Brown

When a great writer like Michael Chabon disappoints, the disappointment is that much greater, because our expectations are high about virtually anything he writes, and because contemporary American fiction has been so strikingly poor in 2012. The real Telegraph Avenue became infamous in the l960s as a street in Berkely, California, known for its head shops and other such paraphernalia...