THE

ANNEX

updated

aeqai archives

March | 2013

Oil painting by Pablo Picasso showing an emaciated old man in blue tones hunched over his guitar. Pablo Picasso, The Old Guitarist, late 1903–early 1904.
March 21st, 2013 | By Cynthia M. Kukla

Letter from Chicago: Part I. “Picasso and Chicago: the Fearless Pursuit of the Modern”

Questions flood the mind after seeing a stunning exhibition by an artist whose name is part of the cultural and popular vernacular. In this first of a two-part analysis, questions arise. What does Picasso mean to the art world now, in 2013? How and when did the United States enter into dialog with the European avante garde, as it was called at the cusp of the 20th century, and with Picasso a leading force of this avante garde?

Duct tape drawing of the Roman Colosseum in beige, brown and orange tones, with a strip of green grass at its base and small black birds in a white sky.
March 21st, 2013 | By Maxwell Redder

Girandola's Sticky Art

Duct tape drawings are an interesting concept: taking a material originally created for sealing the joins of metal ductwork, and using the different colors available to cut shapes and collage them into an image. Of course, the production of an array of different colored duct tape is a more recent addition to the brand in response to the popularization of many different uses with the product.

Liu Xia, 'Untitled,' 1996-99: a doll sits on a plaid chair above an open book, black-and-white photograph
March 21st, 2013 | By Amanda Dalla Villa Adams

Letter From Richmond, VA: 'The Silent Strength of Liu Xia: Photographs'

People recognize the name Ai Weiwei. From major museum retrospectives, such as Ai Weiwei: According to What? at the Hirshhorn, pop cultural asides, including Anish Kapoor’s mass staging of Gangam Style in support of Weiwei, and global media coverage, Weiwei has become the Chinese dissident artist.
Main entrance of the Phoenix Art Museum: modern building facade with glass doors, green lawn and desert landscaping.
March 21st, 2013 | By Fran Watson

Letter from Phoenix

The entrance lobby and hallways of the Phoenix Art Museum were hung with hundreds (thousands?) of black paper (?) moths. Clustered, scattered, clinging to the walls and skylights, tenuously resting on architectural supports, there was a breathless emotion in their presence. Dianne and Bruce Halle, like many collectors in our time, have honed in on a particular area from which to gather their very contemporary art.

Color photograph of Crosley Field baseball stadium in Cincinnati in 1969, with the field, crowded stands, and surrounding brick buildings.
March 21st, 2013 | By Kevin Ott

GORDON BAER at the Kennedy Heights Art Center

In his storied career, Gordon Baer has photographed the Beatles, Pete Rose, Larry Flynt and numerous other recognizable, iconic subjects. But, it is Baer’s photographs of the unknowns that are the heart of his great body of work.

Self-portrait in profile with glasses on an orange ground. Tyler Wilkinson, self-portrait. Image from Manifest Gallery.
March 21st, 2013 | By Jane Durrell

Profile: Tyler Wilkinson, Manifest Gallery Artist in Residence

Tyler Wilkinson, Manifest Gallery’s first Artist-in-Residence, greets visitors to his studio at the rear of the gallery during every opening, an act of hospitality he clearly enjoys aside from its requirement for his year-long role. Tall and slim, Wilkinson has a ready smile, extremely short dark hair, dark eyes behind round, black-rimmed glasses, and an air of pleasure at being where he is.

Francisco de Goya, 'The Sleep of Reason Produces Monsters' (No. 43 from Los Caprichos), 1799. Public-domain etching.
March 21st, 2013 | By Saad Ghosn

Art for a Better World

Matt Reed is an artist, educator, and radical leftist currently living in Cincinnati, OH. His work has appeared in galleries in Cincinnati, Pittsburgh, Louisville, Los Angeles,...

Abstract painting by Maxwell Redder with stylized white and blue figures amid angular bands of orange, green, pink and blue.
March 21st, 2013 | By Maxwell Redder

Maxwell’s Poetry Corner

Horns Horns of hartebeest inspiring the drawn heart (tip as spine and curves as breasts) were removed to use as tools.

Quentin Tarantino wearing a black beret, smiling amid a crowd of photographers at a film premiere.
March 21st, 2013 | By David Schloss

Film Reviews for January – March 2013

I had the flu for 6 weeks, so saw comparatively few films during this time. The standouts were Zero Dark Thirty by Kathryn Bigelow, with Jessica Chastain; Rust and Bone by Jacques Audiard, with Marion Cottillard and Matthias Schoenaerts (now On Demand, and reviewed in more depth next time, perhaps); Amour by Michael Haneke, with Emmanuelle Riva and Jean-Louis Trintagnant;...