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aeqai archives

Color lithograph by Henri de Toulouse-Lautrec showing a café-concert singer in a pink dress with her arm raised, seen from behind, against a deep blue night background.
January 20th, 2013 | By Kevin Ott

The CAM: Time For A Dedicated Print Gallery?

The Cincinnati Art Museum is nearing completion of the former Art Academy building which will house the Mary Schiff Library, offices and other spaces, including a beautiful terrace with outstanding views. Most importantly, this will result in an increase of 15,000 square feet or about 20%more exhibition space. This, of course, is great news. But, what will occupy the new space? Maybe more Contemporary Art?

Expressionist oil painting by David Paulson, The Pugilist (2016): distorted nude figures with torqued limbs in earthy reds, ochres and deep teal-blue, built up with thick gestural brushwork.
January 20th, 2013 | By Brett Baker

Letter From New York: Inheritance and Potential

After an autumn spent in the studio and with less time for gallery-going, I have recently been reflecting on several surprising shows from the past summer. The more mainstream of these included Josef Albers’ painterly studies at the Morgan Library, rarely seen works by Jan Müller at Lori Bookstein Fine Art, and an exhibition of Vuillard paintings at the Jewish Museum.

Black-and-white self-portrait by Anne Arden McDonald: the artist, seen from behind in a white dress, stands beside two tall wire cone structures in a bare abandoned room with a weathered wooden door, concrete floor and an old electrical panel on the wall.
January 20th, 2013 | By Jonathan Kamholtz

Rituals and Enactments: The Self-Portraits of Anne Arden McDonald

In Anne Arden McDonald’s “Self-Portrait #20, Utah, 1989” (her titles are generally not helpful or revealing), the artist depicts herself on her knees with a semicircle of lit candles in front of her like a ritual séance or old-fashioned footlights, and what might be a huge, time-scarred fireplace behind her.

Gallery installation view: a large colorful abstract wall relief of interlocking wood forms in red, orange, blue and yellow mounted on a white gallery wall, with smaller sculptures visible further along the wall.
January 20th, 2013 | By Christopher Hoeting

Straight from the Soul

“Straight from the Soul,” Kevin Cole’s exhibition at the Alice F. and Harris K. Weston Gallery, opened to a warm reception amid Cincinnati’s winter season. Cole is no stranger to Cincinnati, as indicated by the presence of numerous friendly faces.

Rembrandt etching of a flat Dutch landscape under a stormy sky, with three trees on a rise at the right and diagonal strokes of rain at the left.
January 20th, 2013 | By James Cummins

Hick And Willie At The Art Institute

Hick: “Seeing paintings by Beckman and Matisse, one understands the S/M dance of Germany and France a little better, ‘eef yoo pleece.’ ”

Street view of the Taft Museum of Art in Cincinnati: the white neoclassical mansion with tall columns stands behind a black iron fence, seen across the street with a stone gatepost, crosswalk lines, a pedestrian sign and a parked car.
January 20th, 2013 | By Tamara Lenz Muente

Sorting through 80 Years of Taft History

The Taft Museum of Art celebrated its 80th anniversary on November 29, 2012. To commemorate the occasion, museum staff mined the archives for documents that could illustrate the history of the museum in a way never before seen by the public. I was honored to be asked to winnow down the many items into a small exhibition for the Taft’s Sinton Gallery.

Abstract drawing of a human figure suspended in free fall, in black, white and blue linework against vertical red streaks on white paper.
January 20th, 2013 | By Stephen Slaughter

“Osmosis” Blinded me with Science

Biology Osmosis: A process by which molecules of a solvent tend to pass through a semipermeable membrane from a less concentrated solution into a more concentrated one, thus equalizing the concentrations on each side of the membrane. Physics The Pauli Exclusion Principle: The quantum mechanical principle that no two identical electrons may occupy the same quantum state simultaneously.

Detail of a Raymond Thunder-Sky drawing of a crane with a jack-o'-lantern wrecking ball.
January 20th, 2013 | By Karen S. Chambers

New Magic & Costume Shoppe

“New Magic & Costume Shoppe” is the title of the show at Thunder-Sky, Inc., featuring David Earl Johnson’s masks, Yohana Junker’s paintings, and Raymond Thunder-Sky’s clown costumes and drawings. Bill Ross, curator of the exhibition and co-founder of Thunder-Sky, Inc., suggests that what ties these three artists’ work together is a shared interest in expressing spirituality through their art.

Framed assemblage by Jeff Casto, Wasteland Warrior: a red mask-like face built from found objects — a tall central column flanked by curved side pieces, round red-rimmed eyes and a grinning row of yellow teeth — set on a dark textured ground inside a carved dark wood frame.
January 20th, 2013 | By Saad Ghosn

Art for a Better World

“Art For A Better World” is a new column that will regularly feature Greater Cincinnati Artists who use their art for a message and for a change. Each column, divided into two sections titled respectively “Images for a Better World” and “Words for a Better World”, will give the stage to a local visual artist and a local literary artist.