Hick:
“Seeing paintings by Beckman and Matisse,
one understands the S/M dance
of Germany and France
a little better, ‘eef yoo pleece.’ ”
Willie:
“All the kids seem to love Monet—
and if someone insists on trumpeting him, well, I say, heck, let her!
But I’ve always liked Manet a little better.
Now I’m older, I can feel this way.”
Hick:
“But that Rembrandt—whew!
And maybe even better as an engraver!
Not that I’m trying to enter that critical palaver.
His paintings are real sharp, too.”
Willie:
“You know I’m a fan!
And, reading this timeline here—
poor bastard rarely caught a break, in his career.
He rocks, man!”
Hick and Willie On An Arts Panel
Hick:
“Wow, thank you, that’s a real
striking analysis!
Let me ask my fellow panelists
how they feel.”
Willie:
“What a great point! ‘Clouds pass and the moon
appears’! Almost like an open book,
isn’t it? Oh, darn it, look—
almost time for us to give up the room!”
Hick:
“Wait—we have to take one more?
Okay—yes, you in the back—
between the woman who looks like a crack
ho, and the insufferable boor.”
Willie:
“Whaaa?—though this room is small,
I can barely hear—
say again? Oh, I see. It’s clear
you want the poetry panel, down the hall.”













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