THE

ANNEX

updated

AEQAI ARCHIVES

Hick And Willie At The Art Institute

January 20th, 2013 | By James Cummins
Vea el original en español
Rembrandt etching of a flat Dutch landscape under a stormy sky, with three trees on a rise at the right and diagonal strokes of rain at the left.

Rembrandt van Rijn, The Three Trees, 1643. Etching and drypoint on ivory laid paper. The Art Institute of Chicago, public domain (CC0). (Related image located during this archive's reconstruction.)

Go to English Version

Hick: 

“Seeing paintings by Beckman and Matisse,

one understands the S/M dance

of Germany and France

a little better, ‘eef yoo pleece.’ ”

 

Willie:

“All the kids seem to love Monet—

and if someone insists on trumpeting him, well, I say, heck, let her!

But I’ve always liked Manet a little better.

Now I’m older, I can feel this way.”

 

Hick:

“But that Rembrandt—whew!

And maybe even better as an engraver!

Not that I’m trying to enter that critical palaver.

His paintings are real sharp, too.”

 

Willie:

“You know I’m a fan!

And, reading this timeline here—

poor bastard rarely caught a break, in his career.

He rocks, man!”

 

 

Hick and Willie On An Arts Panel

Hick:

“Wow, thank you, that’s a real

striking analysis!

Let me ask my fellow panelists

how they feel.”

 

Willie:

“What a great point!  ‘Clouds pass and the moon

appears’!  Almost like an open book,

isn’t it?  Oh, darn it, look—

almost time for us to give up the room!”

 

Hick:

“Wait—we have to take one more?

Okay—yes, you in the back—

between the woman who looks like a crack

ho, and the insufferable boor.”

 

Willie:

“Whaaa?—though this room is small,

I can barely hear—

say again?  Oh, I see.  It’s clear

you want the poetry panel, down the hall.”

No items found.

Gallery

No items found.

Comments powered by Talkyard.