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aeqai archives

Roscoe Wilson, Beautiful Consumption IV: two views of an installation of towers built from paperboard boxes, rising from pools of plastic bottle caps in blue and green, and in red, orange and yellow, in a glass-walled atrium.
January 7th, 2013 | By A.C. Frabetti

Fitton Center for Creative Arts Accepting Art Entries

Designed to showcase the fine variety of work being created by area artists, this juried exhibition is a competition open to visual artists residing within 50 miles of Hamilton, Ohio.

A shallow curved brown plant-fiber form resting on a small pale rounded support against a light background.
January 7th, 2013 | By A.C. Frabetti

Exhibition Extended through January 31, 2013 / Shinji Turner-Yamamoto

Cincinnatians have a rare opportunity to see work by internationally recognized Japanese artist Shinji Turner-Yamamoto...

Brett Baker, Sisyphus (after Camus)
December 26th, 2012 | By A.C. Frabetti

Brett Baker – Exhibition at Elizabeth Harris Gallery

Please join me for an exhibition of paintings at Elizabeth Harris Gallery, New York, opening January 4, 2013.

Gate piers at the entrance of Pinecroft, Powel Crosley Jr.'s estate in Cincinnati.
December 24th, 2012

Cincinnati Preservation Association to Restore Gardens at Crosley Estate with Support from the Haile/U.S. Bank Foundation

The Cincinnati Preservation Association is delighted to announce a major grant from the Haile/U.S. Bank Foundation for the restoration of the gardens at Pinecroft, the estate of Powell Crosley, Jr. CPA received the house and 18 acre site as a gift from Mercy Health in 2011.

Gallery at the 21C Museum Hotel, Cincinnati: figurative sculptures on pedestals in a white gallery room with a red velvet sofa.
December 19th, 2012 | By Keith Banner

Welcome to the Hotel Synesthesia: 21C, Downtown Cincinnati

The day after 21C Cincinnati, the lush hotel/museum right next door to the Contemporary Art Center, opened, I went for a visit. I didn’t want a tour; I just wanted to experience the place the way it gets experienced most often, as a walk-in, a tourist. It was a chilly Friday night, and from the get-go the place felt haunted yet brand new simultaneously.

M. C. Cooke, Amanita muscaria (Fly Agaric), frontispiece from A Plain and Easy Account of British Fungi.
December 19th, 2012 | By Regan Brown

Of Magic Mushrooms and Mushroom Clouds: A Merrily Alchemical Christmas from the Lloyd Library and Museum.

What Makes Reindeer Fly? Why does Santa wear red and white? Decoding such seemingly innocuous and symbolic “kid’s play” can often lead to profound results, yet it’s often like peeling the humble onion, which seems to have no real center and whose particular odor and chemistry may have evolved with the specific intention of a hermetically layered inoculation against such a process...

The Behringer-Crawford Museum building in Devou Park, Covington, Kentucky.
December 19th, 2012 | By Shawn Daniell

The Human Side of the American Flag

In 1974’s Spence v. Washington, the United States Supreme Court stated, “A person gets from a symbol the meaning he puts into it.” I’m inclined to agree with that statement. For me, the American flag represents a symbol that is open to interpretation, in that it means something different for each person, whether that is as a symbol of freedom, honor, power, or America itself...

Petals of the Universe by Shinji Turner-Yamamoto: a sculptural work of tansy flower fiber, a rough ball of plant material supporting a broad, undulating petal-like form with ragged edges, on a white background.
December 19th, 2012 | By Laura P. Yoo

Shinji Turner-Yamamoto on the Nature of Things

Cincinnati is no stranger to the work of internationally recognized artist Shinji Turner-Yamamoto. He marveled viewers with his site-specific Hanging Garden installation (part of his larger Global Tree Project) at the Holy Cross Church in Mt. Adams in 2010. Developing site-specific work is Turner-Yamamoto’s strength.

Drawing for Sculpture of Building #45 by Sarah Vanderlip: an architectural cross-section in graphite and silvered Mylar, a large mirrored angular form crossed by thin drawn lines suggesting columns, stairs and horizontal beams, on white paper.
December 19th, 2012 | By Emil Robinson

Sarah Vanderlip at the Cincinnati Art Museum

Sarah Vanderlip’s show at the Cincinnati Art Museum, September 29, 2012-December 9, 2012, entitled Drawings For Sculptures of Buildings, is the inaugural show for the new triennial competition, The Marjorie Schiele Prize. Marjorie Schiele was a Cincinnati artist who spent her life traveling between the US and Europe. She left a large endowment to the museum for the exhibition of contemporary painters and sculptors.