Justine Ludwig, Assistant Curator of the Lois & Richard Rosenthal Center for Contemporary Art, never had to confront the question: “What will I do when I grow up?” Her grandmother was an eclectic collector of art she loved, with no specific period but from all over the world, and her parents trundled her through countless museums on her little girl’s legs. “I used to make paintings and try to sell them to the neighbors,”...
The B. Deemer Gallery in Louisville presents a partial retrospective of the work of artist and educator Robert Knipschild (1927-2004). Paintings include works dating from the 1960s (a little over a decade after he was selected for the Metropolitan Museum of Art’s renowned exhibition “American Painting Today”) through the 1990s.
The Marta Hewitt Gallery always looks fresh. There’s something about the bling effect of glass and the space implied and manipulated by that medium. But Hewitt is taking this a giant step forward, lately, pulling in less famous, but equally good artists in other mediums. Currently three multi-dimensional artists, dealing in work-intensive materials are well described in the title: “ Devotion to Detail.” More than just pretty...
The idea of “abstraction” in art has always held a definitive place in my heart ever since I began noticing my love for creative expression. Not only is the idea typically misunderstood by most audiences, it seems to be so because it denies certain concrete realities and meanings we hold dear.
Stacie Seuberling’s landscapes may seem like sets for Romantic ballets; the movement of trees equates to the movement of bodies in space; the lines convey form against curtains of color. Smaller in scale than a stage set, however, their magic lies in Seuberling’s insistence on the real (always an actual landscape), as it combines with a fairy-tale-like evocation of memory, where shadows dis-solve and time slows. Calling...
The year 2011 in new fiction began as bleakly as any in recent memory. By the end of summer, only two or three novels seemed even to be somewhat good – and we need to watch literary/politically correct trends, to make certain we’re not simply reading what’s been declared good for us/for the victimized but newly empowered writer. In past years, literature has been saturated with “chick lit”, “ethnic lit”, et.
Emerging Artists Exposed presents Kristy Kemper discussing her artistic practice, research into animal behaviors, and vibrant layered artworks. In this film interview directed and edited by Shawn Daniell for AEQAI, Kemper explores the intersection of nature, organic forms, and Art Nouveau influences, examining how animal interactions shape visually captivating worlds that are simultaneously magical, delicate, and menacing.
Pablo Picasso would not be the only mercurial, misogynistic, egotistic, super- salesman who chose art (or art chose him) as a means of locomotion. The type abounds in this most rarified of all careers in this equally rarified era, most notably epitomized by Duchamp and Man Ray, masters of shock art, but he is the one who shouted the loudest and longest.
I’d been away in college and graduate school between 1964-1970, returning to Cincinnati married and seeking employment while interviewing for what became my first job here (Coordinator of Cultural Affairs at The University of Cincinnati). Two names kept surfacing as visionary arts leaders; Irma Lazarus and Phyllis Weston. I’d known various Lazari (as we called them jointly) for years, and my mother’s close friend...
