THE

updated

aeqai archives

September 15th, 2011 | By Fran Watson

Pointedly Perfect

“The Art of Charlie and Edie Harper in Needlepoint Exhibit” is exactly that. Charming and humorous, exquisitely designed and perfectly executed, each of these renditions of the famous Harper pieces in the clockwork precision of needlepoint seems just what the two artists would have anticipated as a future for their works.

September 15th, 2011 | By Shawn Daniell

Sara Corley: Film Interview

Emerging Artists Exposed is a film series devoted to emerging artists working across the Cincinnati and Northern Kentucky region, offering a closer look at the personal experiences, creative processes, and ideas that shape their practices. Directed and edited by Shawn Daniell for AEQAI, the series approaches each artist through conversation...

Efroymson Family Fund logo, sponsor of the contemporary arts fellowship. Reconstructed from the 200 x 137 px archive image. (Digitally enhanced. May contain discrepancies from the original artwork.)
August 23rd, 2011 | By AEQAI Staff

2011 Fellowship Guidelines Announced for Contemporary Visual Artists in Illinois, Indiana, Kentucky and Ohio

Central Indiana Community Foundation (CICF) is now accepting applications for contemporary visual artists that reside in select cities and counties in Illinois, Indiana, Kentucky and Ohio . The Efroymson Family Fund, a donor-advised fund of CICF, will be  awarding (5) $20,000 unrestricted awards to contemporary visual artists.

July 25th, 2011 | By Cynthia Osborne Hoskin

Alice Frieder Weston, Artist, Arts Patron and Collector

Alice Frieder Weston is by no means an obscure figure now nor has she been over the many years she and husband, Harris Weston, encouraged and supported the arts and other causes in Cincinnati. Entering her living room, as she says “good morning”, one is greeted by an expanse of Carl Strauss-designed light and airy space and a broad view of the Ohio River. Everywhere is wonderful...

July 25th, 2011 | By Maureen Bloomfield

James Abbott McNeill Whistler

What follows is the second in Aeqai’s series, where we ask artists in Greater Cincinnati to select one work of art in the permanent collection of either CAM or the Taft Museum, and tell our readers why it is important to him or her. Maureen Bloomfield is Editor of The Artist’s Magazine, as well as a nationally recognized poet and art critic.

July 25th, 2011 | By Keith Banner

At War With The Obvious

“I am at war with the obvious,” Photographer William Eggleston once said when asked about his work. I have a feeling Carl M. Jacobs III, the collector the exhibit “Not Just Pretty Pictures” beatifies at the Cincinnati Art Museum (through August 28, 2011), might have said the same thing if asked why he collected the art he did.
“Not Just Pretty Pictures” has the brevity, depth and personal...

July 25th, 2011 | By Maria Seda-Reeder

Thunder-Sky’s the Limit

“Hard Knocks: Art without Art School” is a loosely curated collection of more than one hundred works of art by thirty-one artists from around the globe. By making use of their three curators (visual artists Antonio Adams, Ran Barnaclo, & Spencer van der Zee,) Thunder-Sky’s Face Book page, and exhibition blog to cast a wide net for participating artists, they reached out...

July 25th, 2011 | By Karen S. Chambers

In Company with Angels: Seven Rediscovered Tiffany Windows

Louis Comfort Tiffany (1848-1933) has been a crowd-pleaser for decades (except for the period following his death as a bankrupt until the 1950s). Popularly he is best known for his leaded glass or stained glass lamps, first marketed in 1899. But his stained-glass windows were the big money makers for the Tiffany Glass Company, incorporated in 1885, and renamed...

July 25th, 2011 | By Jane Durrell

Interview with Aaron Betsky on Schmidlapp Gallery Re-Installation

Tucked in the multi-page announcement of the Cincinnati Art Museum’s 2011-12 exhibition schedule is a portent of change beyond the new season. Re-installation of the Schmidlapp Gallery will be “the first step in the vision for a re-designed Cincinnati Art Museum.” To find out what’s going on, in the Schmidlapp gallery now and the rest of the Museum later, we went directly to the source, CAM Director Aaron Betsky.