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aeqai archives

July 25th, 2011 | By Fran Watson

Fun Between the Covers

Books. From the tiniest , “Musical Boxes” by Mark Palkovic measuring a mere 1” X 1 1/2”, to the largest, also qualifying as the most outrageous,”Zulu: A Book Doll” by Pamela Howard, Bookwords 12 at the Main Library through August 29, 2011, is a plethora of invention and imagination. Pop-up book artists are now known as “paper engineers”...

July 25th, 2011 | By Alan D. Pocaro

The Sorcerer’s Apprentice

Clement Greenberg once said that “the superior artist is one who knows how to be influenced” and the current survey of paintings by the late Harry Reisiger reveals just such an artist. Born in 1922, Reisiger studied at both the Art Academy and the University of Cincinnati, eventually becoming a successful commercial designer for Kenner Products. Inspired by his love of music and landscape...

July 25th, 2011 | By Cynthia Osborne Hoskin

An Air-Conditioner-Side Chat With the Editor

With apologies to psychiatrists and brain surgeons, I think one can watch a mind at work. The way the eyes move, the head takes up its position and the mouth forms into odd little shapes are all unmistakable clues. Some people hate computers, and this is especially true of Daniel Brown, recently installed editor of ÆQAI Arts Journal. Funny that, because his mind resembles...

July 25th, 2011 | By Keith Banner

What’s The Big Idea? “Body of Art” at Prairie Gallery

“Body of Art,” the exhibit currently at Prairie Gallery (on display through August 20, 2011), is a group show in which the weirdness and greatness of the individual works often outshine the reason they were pulled together in the first place. The show is a grab-bag of video, photography, sculpture, painting and drawing, and while the “body” might be the source of curatorial inspiration...

July 25th, 2011 | By Fran Watson

Ode to Trendiness

Initial Impression: Darkened rooms, interestingly arranged for multi-screened film projections. Walls and partitions simultaneously displaying black and white events. A slim man scatters a white powder over a grassy area. He is printing the universal signal for help, SOS, in large letters by drizzling a white powder on the grass. Written material nearby indicates that this piece reflects the questions...

July 25th, 2011 | By Chris Reeves

It’s Oh So Quiet

In the late1950s and into the 1960s, the philosophies of composer John Cage permeated the arts. Allan Kaprow took Cage’s notion of incorporating all of life into (and as) music and invented the “happening,” where the human body took over as the artist’s medium, the environment the “canvas,” and the spontaneity of actions and occurrences surrogated the artist’s autonomy and hierarchy...

July 25th, 2011 | By Karen S. Chambers

Treeline: Photos by Kent Krugh

It might seem flip to start a review of “Treeline,” Kent Krugh’s (American, 1955- ) rather magnificent exhibition of 22 black-and-white photographs* of the Angel Tree, the largest tree east of the Mississippi, with the old chestnut that “you can’t the see the forest for the trees.” But in this case, the Quercus virginiana, an evergreen oak tree AKA southern live...

July 25th, 2011 | By Fran Watson

Meanwell at Mary Rand Gallery

In Cincinnati painting circles two names, from a recent past, keep their magic. The late Paul Chidlaw and the late Jack Meanwell, both of whom painted with a flashing style raised from the canvas in waves of impasto excitement. Both artists’ works are available at Mary Ran Gallery, but it’s Jack Meanwell who’s currently in the gallery spotlight. Thousands of pieces of Meanwell’s arework on hand...

July 25th, 2011 | By Shawn Daniell

Dustin Pike: Video Interview

Emerging Artists Exposed presents Dustin Pike reflecting on art as a means of personal growth, social awareness, and positive change. In this video interview, Pike discusses how creative practice can move beyond the gallery wall and become a way of shaping one’s environment, relationships, and sense of purpose.