THE

ANNEX

updated

aeqai archives

July | 2012

Koto, 19th century, Japan. Gift of Mr. and Mrs. Charles M. Hinkle, Cincinnati Art Museum, 1891.2956.
July 29th, 2012 | By Larry Watson

The Art of Sound: Four Centuries of Musical Instruments

When viewing works that have a function, one wonders  whether  there is a critical distinction between art and craft; between creativity and structural formulas; between innovation and “form follows function?” The exhibit at the CAM gathers musical instruments from around the globe and across the centuries with a breadth of styles, technical proficiency, and cultural influences, and stimulates the senses as well as the intellect.

The Canons of Vitruvius and Leonardo. Leonardo da Vinci’s Vitruvian Man, c. 1490, Gallerie dell’Accademia, Venice; photograph by Luc Viatour, public domain, via Wikimedia Commons. (Related image located during this archive's reconstruction.)
July 29th, 2012 | By Dustin Pike

Geometrically Ordered Design: Fantastic Four

“The most incomprehensible thing about the universe is that it is comprehensible.”

-Albert Einstein

This is my fourth article pertaining to the design field and again it is necessary to distinguish between art and design. Design in essence cannot be accomplished without specific degrees of control, and almost always has a definitive point to make.

A Mosque in Cairo, 1897 Oil on canvas, 9 1⁄2 x 13 in. William M. Lewis, Jr. and Carol Sutton Lewis Photo: Joshua Nefsky (detail)
July 29th, 2012 | By Keith Banner

True Believer: “Henry Ossawa Tanner: Modern Spirit” at Cincinnati Art Museum

“Henry Ossawa Tanner: Modern Spirit,” currently on view through September 9, 2012 at the Cincinnati Art Museum, invokes the hush and grandeur of a nighttime cathedral with dark-toned walls and Midnight in Paris lighting, as if to set the stage for an upscale art-history coronation...

Gingerbread on Main Street, by Marlene Steele, oil, currently exhibited in the Gubernatorial Office, Columbus, Ohio. (Reproduction from the artist's website.)
July 29th, 2012 | By Marlene Steele

Color Pencil Society of America

The Color Pencil Society’s 20th Anniversary International Exhibition is an extensive show filling the main gallery and 4 galleries on the second floor of the Carnegie Art Center. This organization, founded by Vera Curnow of Rising Sun, Indiana, seeks to lend stature to the medium of color pencil as a fine art material and facilitate teaching the techniques.

George Inness (American, b. 1825, d. 1894), Near The Village, October, Cincinnati Art Museum, Gift of Emilie L. Heine in memory of Mr. ad Mrs. John Hauck, 1940.943
July 29, 2012 | By Kevin Muente

George Inness at The Cincinnati Art Museum

I stand before George Inness’s Near the Village, October on the last hot day of June and long for fall. This medium size painting, 30 x 45 inches, seems larger to me. Perhaps its stately frame makes it feel more formidable. Near the center of the painting in the middle ground we see the suggestion of a man in a white shirt leaning against a tree.

Jon Langford, Going Down in History. Exhibited in Jon Langford: Transmissions: Art and Words, Clay Street Press, 2012. Image from Clay Street Press. (Related image located during this archive's reconstruction.)
July 29th, 2012 | By Maxwell Redder

Dying like Everything

Rarely does an artist have the opportunity to express so vividly an equal passion for music and visual art. Jon Langford’s solo exhibit which came down July 14, 2012, at Clay St. Press was able to achieve that dichotomy. In fact, he has lived on both sides of the late 1970’s.

Vincent van Gogh (Dutch, b. 1853, d.1890) Undergrowth With Two Figures, Cincinnati Art Museum, Bequest of Mary F. Johnston, 1967.1430
July 29th, 2012 | By Susan Mahan

Purple Trees

When my mother was 90 years old, I took her for her first visit to the Cincinnati Art Museum. She was a self-trained painter who worked from photographs taken from Ideals magazines. My mother was quite skilled in the art of copying photos. Drawing came easily to her and she could match the colors of the landscape.

CATC ceramics instructor Jamie Rahe helps a student with her work. (Photograph from the CATC website.)
July 29th, 2012 | By Shawn Daniell

The Cincinnati Arts and Technology Center Uses Art to Help At-risk Students

Some students learn better visually. There are many students who are at risk of not graduating from high school and art can serve as a method to bridge that gap. As an artist and a current student, I see the value of using art as an educational tool. I think Lorin Hollander, a world renowned pianist, said it best, “Art isn’t simply important education; it is education. Art is the gymnasium of the mind, body, and spirit.

The VCCA gazebo at Mt. San Angelo; image published by Artist Communities Alliance in 2022. (Related image located during this archive's reconstruction.)
July 29th, 2012 | By Kate Kern

My First Residency

By the beginning of my second week at the Virginia Center for Creative Arts, I came closer to a working rhythm that did not feel...