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aeqai archives

Trish Weeks, "Minerals and Pigments#4". (Digitally enhanced. May contain discrepancies from the original artwork.)
May 17th, 2012 | By Fran Watson

TRIO

Layered Abstractions at AEC April 13 thru May 11 Abstract they are; some more than others. Yet sculpture by Robert Pulley, palette knife paintings by Trish Weeks, and painted comments on humanity by Paige Williams, were pulled together by the common, if tenuous, thread of nature. Robert Pulley has spent decades in sculpture.

Reverse Psychology: Katherine Michael & David Rizzo at Thunder-Sky Inc., installation view, 2012. Photograph by Kathy Schwartz for Cincinnati CityBeat.
May 17th, 2012 | By Jane Durrell

“Reverse Psychology” at Thunder-Sky Gallery

“Dance?” asks one of a pair of figures in a collaborative painting by the two artists in Thunder-Sky Gallery’s current exhibition, Reverse Psychology. “Sorry, not my type,” answers the other. The two inhabit a dreamy, fragmented setting; the pop-star-like woman wears a beehive hairdo, a polka dot dress and a prosthetic arm and the man is a stiff, Lincoln-esque fellow. Recent suggestions about this president’s secret longings...

The Maritime Museum is Robert’s latest creation. Nautical accessories and paintings of sailing ships, together with a deep blue colour for the walls and plank flooring sets the scene perfectly.
May 17th, 2012 | By Christiane Berridge

Art in a box: Christiane Berridge admires the detailed roomboxes created by Robert Off

Cincinnatian Robert Off has been designing and fabricating miniature rooms,which he calls roomboxes, for over ten years, easily, but has begun to display them in gallery and museum settings to enormous audience and peer delight. Off begins each piece, an individual art unto itself, in his imagination; some of his ideas are spinoffs from conferences or conventions he has attended...

"DRAPED ARIADNE", Margot Gotoff, cast glass from clay& wax original, 33"x15"x 10".
May 17th, 2012 | By Margot Gotoff

Area Sculptor 3D Sculpture at CAM

When I was first approached about writing this appreciation of a piece at the Cincinnati Art Museum, I was absolutely confident in my choice. As many times as I had entered through those majestic doors, I knew where I was first drawn. No matter what new exhibit had just opened, I had to make my way to their Classical collection of Greek, Roman, and Near Eastern sculpture. The portrait busts enticed me. How had that sculptor...

Madonna Enthroned, apse of Santa Maria de Taull, c. 1123
May 17th, 2012 | By Dustin Pike

Geometrically Ordered Design: Two to Tango

“So God created man in his own image.” -Genesis 1:27 This is technically my second article pertaining to the design field and again it is necessary to distinguish between art and design. Design in essence cannot be accomplished without specific degrees of control, and almost always has a definitive point to make. How well the ‘point’ can be made is attributed to how well the design was carried out.

Eoin Breadon, Fourth Transformation of Tuan, blown glass.
May 17th, 2012 | By Larry Watson

“Diaspora/Miasma” at Marta Hewett Gallery

Dichotomy and paradox often create the tension in representational artwork, taking us beyond the visual depictions in the work and tapping into our visceral connections. And so it is with the exhibit “Diaspora/Miasma” on exhibit at Marta Hewett Gallery March 30 through May 19 th . Both Kevin Veara and Eoin Breadon have brought us to awareness of cultural implications that reach well beyond our immediate environs or timeline...

Historical VAGA logo from the 2012 VAGA rights organization website.
May 17th, 2012 | By Shawn Daniel

VAGA: Protecting the rights of artists since 1976

As an artist and a person in the media, images play an important role in my professional and personal life. The idea of ownership and rights is a key element when talking about the use of images in the media. For instance, did you know that just because you may own a work of art, whether you are a private collector or a museum, you may not own the rights to that image? With the popularity of the internet and the overwhelming...

At Last, 2011, by Edward St. Aubyn. Cover of the Farrar, Straus and Giroux edition.
May 17th, 2012 | By Daniel Brown

“At Last” By Edward St. Aubyn (Farrar, Straus, & Giroux 2011)

Possibly because England is such a small and relatively isolated country, the literature that predominates, both past and present seem to be the relatively modest-in-scope psychological drama. Many of England’s finest living novelists clearly continue to be influenced by the great Jane Austen, the novel’s greatest depicter of manners and morals in all of literature.

Official poster for A Separation (2011), directed by Asghar Farhadi.
May 17th, 2012 | By David Schloss

Family Matters

There were a number of films that engaged “family matters’” shown in Cincinnati these past two months, most significantly the long-running Academy Award-winning Iranian A Separation , which truly deserved such acclaim. This heartbreaking drama of well-intentioned people drawn into conflicts over their differing agendas shows the difficulties of accommodating others’ (and one’s own) sincerely held beliefs...