THE

updated

AEQAI ARCHIVES

Maxwell’s Poetry Corner

December 23rd, 2013 | By Maxwell Redder
Vea el original en español
Ink-and-watercolor drawing of a wide-eyed brown owl with striped wings, perched in front of faint pencil outlines of city towers and scribbled green and orange lines.

Maxwell Redder, Bolubasz: Owl, 2013, ink, graphite and watercolor, 12 x 12 in. Image from the artist's website. (Related image located during this archive's reconstruction.)

Go to English Version

City Walks (Winter)
I.

Hypnotic eyes watch passing strangers
whistle tunes of new pop
culture, lugging thirty packs
like a mother a lulling baby – careful not to drop
or shake it for fear it might explode.

Hypnotic sunset splendor igniting clouds
gorgeously with chemical pinks and elegant
golds, carefully staining the sky
like a molding picture – anxiously fermenting
as if an abandoned berry skin.

Hypnotic white-noise highway
traffic perfumed in constant train-horn warning
blares, cascading low spectrum waves
down packed or abandoned streets – mingling
like molten fire ash weaving.

Hypnotic wires swaying rhythmically
in wind camouflaged against God-
cells, insistently propelling life
through subversion – old flesh
freshens and materials crumble.

II.

Frantic wind breaking in brick
alleyways as flapping plastic bags
swish, wisps drone like churning
saw blades – high pitched squeals
slicing through bits of air.

Frantic moon beams frosting grass
through gold and silver crusted cloud
gaps, carelessly blotting surfaces
like a spotlight – resourceful when searching
for those lost in darkness.

Frantic breath fog dissipating
like a violin vibrato against a vaulted
dome, hauntingly dying into silence’s
churning belly – void exposing congealed
ignorance of mass.

Frantic carnival merriment conjoined
with remembrance of lives once
embraced, holidays yearn for sporadic
wartime emotion – surmounting
misoneism flanks those whom are bitter.

III.

Endear city walks past girls
jump-roping over shattered glass bottle
remnants, froth patinas glistening
stained pinks and silver – scarves
collecting joyful yells.

Endear umbrageous buildings standing
monument to crooked worker fingers
callused, relics lingering for abuse
like sequoia trees – ‘under the knife’
undermines and accelerates.

Endear curses fragrant teachers
slipping cautious wisdom like sloths to
Buddhists, concrete slowness transforming
material to void – vicious purging
of insidious to tranquil.

Endear infant rats eagerly sifting
trash with tiny, callused, and embracing
claws, grasp remaining parcels and feast
beneath lamp light – shadow blankets
contrasting iridescent.

No items found.

Gallery

No items found.

Comments powered by Talkyard.