I’m not much of a Nuevo Herald reader. I download the PDF of its print edition every day only because, for work reasons, I try to stay informed about what’s happening in the city. I don’t like its design. Its use of typography is anarchic. The headlines jump wildly from one typeface to another, as if shoved toward the next text block. The masthead, for its part, looks like it just returned from the past. Beyond that, I’ve adapted to the broadsheet format. I used to prefer the tabloid, but now it makes no difference. The former is usually associated with serious, traditional journalism, while the latter is more often linked to sensationalist papers. In Europe, where they ignore most statements, they favor the Berliner format—something in between.

Today’s Nuevo Herald brought three stories that gave me a sort of amused pause. Let’s start with the first, from the art world: a hundred elephants basking under the Miami Beach sun. They’re crafted from wood—so says the article—part of The Great Elephant Migration, an installation that promotes, celebrates, or encourages coexistence between human beings and wildlife. This migratory venture—a collaboration between artisans, artists, and institutions—began in Nilgiri, India, where the idea took shape and the elephants were built. One enthusiast called it “an installation that leaves you speechless.”

The first thing that struck me was the name of the project’s main trustee: Ruth Ganesh, who also founded The Real Elephant Collective. She’s among those who claim, “When people see the installation they are stunned… it’s overwhelming.” What a coincidence that one of Hinduism’s most venerated deities—the god of wisdom and the ultimate remover of obstacles—is known as Ganesh (or Ganesha, or Ganapati). This deity is depicted with an elephant’s head atop a distinctly potbellied human body. If the head symbolizes intelligence and discernment, the “large belly” signifies generosity and the ability to accept the good and the bad in life with equanimity. To those who fault me for my weight: take note!

This project has been unfolding for more than a decade, provoking—beyond the momentary awe of its viewers—an unspoken dialogue about the balance between civilization and nature. The sculptures are made of lantana, an invasive weed in India’s forests, much like our marabú, but with a distinctly Indian pedigree. The project has employed a considerable number of local artisans, and each sculpture is modeled after a real elephant. That’s what Ganesh says. Before arriving in Miami, The Great Elephant Migration traveled through London in 2021, stopped at the Lalbagh Botanical Garden in Bangalore earlier this year, and visited Newport, Rhode Island, and New York City on its U.S. journey. The entire herd is for sale, and proceeds go to support conservation organizations around the world. I suppose part of that revenue also covers airfare, snacks, lodging, and other artistic expenses. It’s remarkable how they explain that the project is committed to fighting climate change through initiatives like converting lantana into biochar, while creating hundreds of jobs for Indigenous communities and actively capturing carbon.

And the news? A couple had sex at dawn today on top of one of the elephants. Reporter Madeleine Marr tells us it was “noisy” sex. The lovers were caught by a security guard drawn by ghostly, wrenching moans. When the flashlight hit them, they climbed down and slipped into the shadows. They weren’t arrested, despite the fact that having sex is prohibited in Florida—in public, I mean.